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		<title>Winners of the 2012 International Film Festival Rotterdam</title>
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The following are the winners at the ]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.supplemagazine.org/wp-content/uploads/2012-IFFR.jpg" alt="2012 IFFR" title="2012 IFFR" width="620" height="875" class="aligncenter size-full wp-image-2002" /></p>
<p>The following are the winners at the <a href=http://www.filmfestivalrotterdam.com/en/news-2012/jury-s-award-films-from-the-iffr-2012-programme/">2012 International Film Festival Rotterdam</a>.</p>
<p><a href="http://www.filmfestivalrotterdam.com/en/films/klip/">Clip</a> by Maja Miloš (Serbia, 2012)<br />
‘A vigorous, rebellious, authentic, honest and revealing film using  modern means to depict in a punchy way the mobile generation, who  capture their lives through images recorded on their phones. An  emotionally disturbed main character in a fractured family, within a  broken society. Clip provokes many questions and gives no answers.’</p>
<p>Clip saw its world premiere in the Tiger Awards Competition 2012. The film is produced by Film House Bas Celik (Serbia).</p>
<p><a href="http://www.filmfestivalrotterdam.com/en/films/de-jueves-a-domingo/">De jueves a domingo</a> by Dominga Sotomayor (Chile/Netherlands, 2012)<br />
‘In focus, this film is a very precise and gentle depiction of the  intimate space of a family. We are captured in a journey seen through a  child’s perspective, and recall the moments of our own childhood, at the  same time experiencing and understanding all the complexities that  adult life entails. The minimalistic story is revealed through the fresh  angles of the camerawork. A gentle piece, rich with sensitive  observations.’</p>
<p>De jueves a domingo was supported by the IFFR’s Hubert Bals Fund for  script and project development and was selected for the Hubert Bals Fund  Plus-program. The film saw its world premiere in the Tiger Awards  Competition 2012 and was produced by Forastero and Cinestación (Chili)  in co-production with Circe Films (Netherlands). Sales agent is FiGa  Films (USA).</p>
<p><a href="http://www.filmfestivalrotterdam.com/en/films/jidan-he-shitou/">Egg and Stone</a> by Huang Ji (China, 2012)<br />
‘The director creates a sensation by telling the private story of a girl  who unwillingly becomes trapped in a life in the margins. The taboo  present in the film is broken by means of poetic language. The director  does so with a convincing author’s approach and sensitive direction of  non-professional actors. The beautifully framed, conscious choice of  camerawork is relevant to storytelling, and unveils human secrets.’</p>
<p>Egg and Stone saw its world premiere in the Tiger Awards Competition  2012 and was produced by Yellow-Green Pi and Panorama (China).</p>
<p><strong> <a href="http://www.filmfestivalrotterdam.com/en/about/awards-and-jury/netpac-awards/">NETPAC Award</a></strong><br />
The NETPAC Jury (Network for the Promotion of Asian Cinema) awards the  best Asian film in IFFR 2012 Official Selection. The Jury consisted of  Hao Jian (Beijing Film Academy, China), Jean Hae Noh (Mirovision and  Screen International, South Korea) and Meiske Taurisia (babibutafilm,  Indonesia).</p>
<p><strong> The winner of the NETPAC Award 2012 is:</strong></p>
<p><a href="http://www.filmfestivalrotterdam.com/en/films/sentimental-animal/">Sentimental Animal</a> by Wu Quan (China, 2011)<br />
‘For employing innovative visual and narrative construction to cultivate  a poignant cinematic style, thereby creating a subtle metonymy about  the power structure and tension-ridden human relationships in Chinese  society today.’</p>
<p>Sentimental Animal had its international premiere in the Bright  Future-section for first or second time filmmakers of the International  Film Festival Rotterdam 2012.</p>
<p><strong> <a href="http://www.filmfestivalrotterdam.com/en/about/awards-and-jury/fipresci-awards/">FIPRESCI Award</a></strong><br />
The Jury of the international association of film critics FIPRESCI  (Fédération Internationale de la Presse Cinématographique) awards the  best film in the Tiger Awards Competition. The Jury consisted of Carmen  Gray (Jury Chair, Sight &amp; Sound; Little White Lies, UK), Dennis Lim  (Artforum, USA), Marcelo Janot (O Globo, Brazil), Nicole Santé (Oor; Ad  Valvas, The Netherlands), Clarence Tsui (South China Morning Post, Hong  Kong).</p>
<p><strong> The winner of the Rotterdam FIPRESCI Award 2012 is:</strong></p>
<p><a href="http://www.filmfestivalrotterdam.com/en/films/o-som-ao-redor/">Neighbouring Sounds</a> by Kleber Mendonça Filho (Brazil, 2012)<br />
‘For evoking an atmosphere of paranoia and menace through a highly  ambitious use of sound and cinematography the winner is Neighbouring  Sounds.’</p>
<p>Neighbouring Sounds received support from the IFFR’s Hubert Bals Fund  for script and project development and for post-production; it saw its  world premiere in the Tiger Awards Competition 2012.</p>
<p><strong> <a href="http://www.filmfestivalrotterdam.com/en/about/awards-and-jury/knf-awards/">KNF Award</a></strong><br />
The Jury of the Circle of Dutch film journalists KNF (Kring van  Nederlandse Filmjournalisten) awards the best film from a selection of  IFFR 2012-titles that have not yet been acquired for Dutch distribution.  As a promotion to acquisition for distribution within The Netherlands  the KNF Award comes with a grant for subtitling the film, sponsored by  NCP Holland. The Jury consisted of Henk Maurits (Psynema), Ronald Rovers  (de Filmkrant) and Arjan Welles (Film1, Filmtab, Filmtotaal).</p>
<p>From the selected films, the KNF Jury nominated three films: <a href="http://www.filmfestivalrotterdam.com/en/films/nana/">Nana</a> by Valérie Massadian (France) from Bright Future and the competing films <a href="http://www.filmfestivalrotterdam.com/en/films/klip/">Clip</a> by Maja Miloš (Serbia) and <a href="http://www.filmfestivalrotterdam.com/en/films/sudoeste/">Sudoeste</a> by Eduardo Nunes (Brazil).</p>
<p><strong> The winner of the KNF Award 2012 is:</strong></p>
<p><a href="http://www.filmfestivalrotterdam.com/en/films/klip/">Clip</a> by Maja Miloš (Serbia, 2012)<br />
‘The winning film is a daring and stunning debut, portraying an  abandoned Serbian post-war generation. Its talented young director  succeeds in constructing a brutal portrait using the pervasive and  uninhibited visual language of the cell phone generation. It shows teens  obsessively identifying with video clips, glorifying sex and violence  and turning themselves into victims of pornofication. Though  confronting, disturbing and explicit, Clip skilfully succeeds in  avoiding the trap of exploitation. We really hope a Dutch distributor  will show the same courage as Maja Miloš did in making this film.’</p>
<p>Clip saw its world premiere in the Tiger Awards Competition 2012.</p>
<p><strong> Earlier in the festival, the following awards were handed out:</strong></p>
<p><strong> <a href="http://www.filmfestivalrotterdam.com/en/about/awards-and-jury/tiger-awards-competition-for-short-films/">Tiger Awards for Short Films</a> and EFA Nomination</strong><br />
Monday 30 January, Makino Takashi’s <a href="http://www.filmfestivalrotterdam.com/en/films/generator/">Generator</a> (Japan), Mati Diop’s <a href="http://www.filmfestivalrotterdam.com/en/films/big-in-vietnam/">Big in Vietnam</a> (France) and Jeroen Eisinga’s <a href="http://www.filmfestivalrotterdam.com/en/films/springtime/">Springtime</a> (Netherlands) were awarded the three equal Tiger Awards for Short Films  2012. The jury gave a Special Mention to Charlotte Lim Lay Kuen for her  short film <a href="http://www.filmfestivalrotterdam.com/en/films/i-m-lisa/">I’m Lisa</a> (Malaysia).</p>
<p>The International Film Festival Rotterdam short film nominee for the European Film Awards 2012 is <a href="http://www.filmfestivalrotterdam.com/en/films/im-freien/">Im Freien</a> by Albert Sackl (Austria).</p>
<p>The eighth Tiger Awards Competition for Short Films comprised twenty-one  films, ranging in length from five to fifty-six minutes. For its Jury  the IFFR welcomed Rania Stephan from Lebanon who’s first feature-length  documentary film <a href="http://www.filmfestivalrotterdam.com/en/films/akhtifa-at-soad-hosni-ath-thalathat/">The Three Disappearances of Soad Hosni</a> screened in the festival; film curator and writer Andréa Picard from  Canada, who worked for the Cinematheque Ontario and curated the  Wavelengths section of the Toronto International Film Festival; and film  critic and screenwriter Dana Linssen from The Netherlands,  editor-in-chief of de Filmkrant and contributor to NRC Handelsblad. The  Jury handed out the three equal Tiger Awards for Short Film (3,000  Euros) to the winning filmmakers at IFFR venue WORM on Monday evening 30  January 2012.</p>
<p><strong> <a href="http://www.filmfestivalrotterdam.com/en/about/awards-and-jury/moviesquad-awards/">MovieSquad Award</a></strong><br />
British film <a href="http://www.filmfestivalrotterdam.com/en/films/weekend1/">Weekend</a> by Andrew Haigh (UK, 2011), selected in IFFR’s Bright Future section,  has won the MovieSquad IFFR Award. The young people’s jury announced the  winning film Thursday February 2.</p>
<p>The MovieSquad jury consisted of five members aged 15 to 19 years: Nick  Golterman, Manon Keus, Symen Hoogesteger, Juliette van den Dorpel en  Roxanne Doorn. They selected the winner out of the twenty festival films  that were up for consideration. Out of these twenty films, the jury  also nominated the films <a href="http://www.filmfestivalrotterdam.com/en/films/lena/">Lena</a> (Christophe van Rompaey, The Netherlands/Belgium, 2011) and <a href="http://www.filmfestivalrotterdam.com/en/films/play3/">Play</a> (Ruben Östlund, Sweden/Denmark/Finland, 2011) but in the end chose <a href="http://www.filmfestivalrotterdam.com/en/films/weekend1/">Weekend</a> by Andrew Haigh as their winner.</p>
<p>MovieSquad IFFR is an initiative of EYE Film Institute Netherlands in  cooperation with the International Film Festival Rotterdam and is  sponsored by SNS REAAL Fonds.</p>
<p><strong> <a href="http://www.filmfestivalrotterdam.com/en/about/awards-and-jury/arte-france/">ARTE France Cinéma</a> and <a href="http://www.filmfestivalrotterdam.com/en/about/awards-and-jury/eurimages-co-production-development-award/">Eurimages Awards</a> for best CineMart Projects 2012</strong><br />
The 29th CineMart, co-production market of the International Film  Festival Rotterdam concluded Wednesday February 1 with the announcement  of the two awards for best CineMart Projects 2012.</p>
<p>Duncharon by Athina Rachel Tsangari (Greece, Attenberg and producer of  Dogtooth and Alps) won the ARTE France Cinéma Award (10,000 Euro) and  first feature project Humidity by Nikola Ljuca (Serbia) &#8211; one of the  five projects in the BOOST!-program, a collaboration of CineMart, the  Hubert Bals Fund and Binger Filmlab &#8211; took the Eurimages Co-Production  Development Award (30,000). The Jury gave a Special Mention to  Indian-American co-production The Lunchbox by Ritesh Batra (India).</p>
<p>Jury members for the ARTE France Cinéma and Eurimages Awards were Claire  Launay (ARTE France Cinéma), Petri Kemppinen (Finnish Film Foundation)  and Winnie Lau (Fortissimo Films). <strong>The three winners of the equal Hivos Tiger Awards 2012 are:</strong></p>
<p><a href="http://www.filmfestivalrotterdam.com/en/films/klip/">Clip</a> by Maja Miloš (Serbia, 2012)<br />
‘A vigorous, rebellious, authentic, honest and revealing film using  modern means to depict in a punchy way the mobile generation, who  capture their lives through images recorded on their phones. An  emotionally disturbed main character in a fractured family, within a  broken society. Clip provokes many questions and gives no answers.’</p>
<p>Clip saw its world premiere in the Tiger Awards Competition 2012. The film is produced by Film House Bas Celik (Serbia).</p>
<p><a href="http://www.filmfestivalrotterdam.com/en/films/de-jueves-a-domingo/">De jueves a domingo</a> by Dominga Sotomayor (Chile/Netherlands, 2012)<br />
‘In focus, this film is a very precise and gentle depiction of the  intimate space of a family. We are captured in a journey seen through a  child’s perspective, and recall the moments of our own childhood, at the  same time experiencing and understanding all the complexities that  adult life entails. The minimalistic story is revealed through the fresh  angles of the camerawork. A gentle piece, rich with sensitive  observations.’</p>
<p>De jueves a domingo was supported by the IFFR’s Hubert Bals Fund for  script and project development and was selected for the Hubert Bals Fund  Plus-program. The film saw its world premiere in the Tiger Awards  Competition 2012 and was produced by Forastero and Cinestación (Chili)  in co-production with Circe Films (Netherlands). Sales agent is FiGa  Films (USA).</p>
<p><a href="http://www.filmfestivalrotterdam.com/en/films/jidan-he-shitou/">Egg and Stone</a> by Huang Ji (China, 2012)<br />
‘The director creates a sensation by telling the private story of a girl  who unwillingly becomes trapped in a life in the margins. The taboo  present in the film is broken by means of poetic language. The director  does so with a convincing author’s approach and sensitive direction of  non-professional actors. The beautifully framed, conscious choice of  camerawork is relevant to storytelling, and unveils human secrets.’</p>
<p>Egg and Stone saw its world premiere in the Tiger Awards Competition  2012 and was produced by Yellow-Green Pi and Panorama (China).</p>
<p><strong> <a href="http://www.filmfestivalrotterdam.com/en/about/awards-and-jury/netpac-awards/">NETPAC Award</a></strong><br />
The NETPAC Jury (Network for the Promotion of Asian Cinema) awards the  best Asian film in IFFR 2012 Official Selection. The Jury consisted of  Hao Jian (Beijing Film Academy, China), Jean Hae Noh (Mirovision and  Screen International, South Korea) and Meiske Taurisia (babibutafilm,  Indonesia).</p>
<p><strong> The winner of the NETPAC Award 2012 is:</strong></p>
<p><a href="http://www.filmfestivalrotterdam.com/en/films/sentimental-animal/">Sentimental Animal</a> by Wu Quan (China, 2011)<br />
‘For employing innovative visual and narrative construction to cultivate  a poignant cinematic style, thereby creating a subtle metonymy about  the power structure and tension-ridden human relationships in Chinese  society today.’</p>
<p>Sentimental Animal had its international premiere in the Bright  Future-section for first or second time filmmakers of the International  Film Festival Rotterdam 2012.</p>
<p><strong> <a href="http://www.filmfestivalrotterdam.com/en/about/awards-and-jury/fipresci-awards/">FIPRESCI Award</a></strong><br />
The Jury of the international association of film critics FIPRESCI  (Fédération Internationale de la Presse Cinématographique) awards the  best film in the Tiger Awards Competition. The Jury consisted of Carmen  Gray (Jury Chair, Sight &amp; Sound; Little White Lies, UK), Dennis Lim  (Artforum, USA), Marcelo Janot (O Globo, Brazil), Nicole Santé (Oor; Ad  Valvas, The Netherlands), Clarence Tsui (South China Morning Post, Hong  Kong).</p>
<p><strong> The winner of the Rotterdam FIPRESCI Award 2012 is:</strong></p>
<p><a href="http://www.filmfestivalrotterdam.com/en/films/o-som-ao-redor/">Neighbouring Sounds</a> by Kleber Mendonça Filho (Brazil, 2012)<br />
‘For evoking an atmosphere of paranoia and menace through a highly  ambitious use of sound and cinematography the winner is Neighbouring  Sounds.’</p>
<p>Neighbouring Sounds received support from the IFFR’s Hubert Bals Fund  for script and project development and for post-production; it saw its  world premiere in the Tiger Awards Competition 2012.</p>
<p><strong> <a href="http://www.filmfestivalrotterdam.com/en/about/awards-and-jury/knf-awards/">KNF Award</a></strong><br />
The Jury of the Circle of Dutch film journalists KNF (Kring van  Nederlandse Filmjournalisten) awards the best film from a selection of  IFFR 2012-titles that have not yet been acquired for Dutch distribution.  As a promotion to acquisition for distribution within The Netherlands  the KNF Award comes with a grant for subtitling the film, sponsored by  NCP Holland. The Jury consisted of Henk Maurits (Psynema), Ronald Rovers  (de Filmkrant) and Arjan Welles (Film1, Filmtab, Filmtotaal).</p>
<p>From the selected films, the KNF Jury nominated three films: <a href="http://www.filmfestivalrotterdam.com/en/films/nana/">Nana</a> by Valérie Massadian (France) from Bright Future and the competing films <a href="http://www.filmfestivalrotterdam.com/en/films/klip/">Clip</a> by Maja Miloš (Serbia) and <a href="http://www.filmfestivalrotterdam.com/en/films/sudoeste/">Sudoeste</a> by Eduardo Nunes (Brazil).</p>
<p><strong> The winner of the KNF Award 2012 is:</strong></p>
<p><a href="http://www.filmfestivalrotterdam.com/en/films/klip/">Clip</a> by Maja Miloš (Serbia, 2012)<br />
‘The winning film is a daring and stunning debut, portraying an  abandoned Serbian post-war generation. Its talented young director  succeeds in constructing a brutal portrait using the pervasive and  uninhibited visual language of the cell phone generation. It shows teens  obsessively identifying with video clips, glorifying sex and violence  and turning themselves into victims of pornofication. Though  confronting, disturbing and explicit, Clip skilfully succeeds in  avoiding the trap of exploitation. We really hope a Dutch distributor  will show the same courage as Maja Miloš did in making this film.’</p>
<p>Clip saw its world premiere in the Tiger Awards Competition 2012.</p>
<p><strong> Earlier in the festival, the following awards were handed out:</strong></p>
<p><strong> <a href="http://www.filmfestivalrotterdam.com/en/about/awards-and-jury/tiger-awards-competition-for-short-films/">Tiger Awards for Short Films</a> and EFA Nomination</strong><br />
Monday 30 January, Makino Takashi’s <a href="http://www.filmfestivalrotterdam.com/en/films/generator/">Generator</a> (Japan), Mati Diop’s <a href="http://www.filmfestivalrotterdam.com/en/films/big-in-vietnam/">Big in Vietnam</a> (France) and Jeroen Eisinga’s <a href="http://www.filmfestivalrotterdam.com/en/films/springtime/">Springtime</a> (Netherlands) were awarded the three equal Tiger Awards for Short Films  2012. The jury gave a Special Mention to Charlotte Lim Lay Kuen for her  short film <a href="http://www.filmfestivalrotterdam.com/en/films/i-m-lisa/">I’m Lisa</a> (Malaysia).</p>
<p>The International Film Festival Rotterdam short film nominee for the European Film Awards 2012 is <a href="http://www.filmfestivalrotterdam.com/en/films/im-freien/">Im Freien</a> by Albert Sackl (Austria).</p>
<p>The eighth Tiger Awards Competition for Short Films comprised twenty-one  films, ranging in length from five to fifty-six minutes. For its Jury  the IFFR welcomed Rania Stephan from Lebanon who’s first feature-length  documentary film <a href="http://www.filmfestivalrotterdam.com/en/films/akhtifa-at-soad-hosni-ath-thalathat/">The Three Disappearances of Soad Hosni</a> screened in the festival; film curator and writer Andréa Picard from  Canada, who worked for the Cinematheque Ontario and curated the  Wavelengths section of the Toronto International Film Festival; and film  critic and screenwriter Dana Linssen from The Netherlands,  editor-in-chief of de Filmkrant and contributor to NRC Handelsblad. The  Jury handed out the three equal Tiger Awards for Short Film (3,000  Euros) to the winning filmmakers at IFFR venue WORM on Monday evening 30  January 2012.</p>
<p><strong> <a href="http://www.filmfestivalrotterdam.com/en/about/awards-and-jury/moviesquad-awards/">MovieSquad Award</a></strong><br />
British film <a href="http://www.filmfestivalrotterdam.com/en/films/weekend1/">Weekend</a> by Andrew Haigh (UK, 2011), selected in IFFR’s Bright Future section,  has won the MovieSquad IFFR Award. The young people’s jury announced the  winning film Thursday February 2.</p>
<p>The MovieSquad jury consisted of five members aged 15 to 19 years: Nick  Golterman, Manon Keus, Symen Hoogesteger, Juliette van den Dorpel en  Roxanne Doorn. They selected the winner out of the twenty festival films  that were up for consideration. Out of these twenty films, the jury  also nominated the films <a href="http://www.filmfestivalrotterdam.com/en/films/lena/">Lena</a> (Christophe van Rompaey, The Netherlands/Belgium, 2011) and <a href="http://www.filmfestivalrotterdam.com/en/films/play3/">Play</a> (Ruben Östlund, Sweden/Denmark/Finland, 2011) but in the end chose <a href="http://www.filmfestivalrotterdam.com/en/films/weekend1/">Weekend</a> by Andrew Haigh as their winner.</p>
<p>MovieSquad IFFR is an initiative of EYE Film Institute Netherlands in  cooperation with the International Film Festival Rotterdam and is  sponsored by SNS REAAL Fonds.</p>
<p><strong> <a href="http://www.filmfestivalrotterdam.com/en/about/awards-and-jury/arte-france/">ARTE France Cinéma</a> and <a href="http://www.filmfestivalrotterdam.com/en/about/awards-and-jury/eurimages-co-production-development-award/">Eurimages Awards</a> for best CineMart Projects 2012</strong><br />
The 29th CineMart, co-production market of the International Film  Festival Rotterdam concluded Wednesday February 1 with the announcement  of the two awards for best CineMart Projects 2012.</p>
<p>Duncharon by Athina Rachel Tsangari (Greece, Attenberg and producer of  Dogtooth and Alps) won the ARTE France Cinéma Award (10,000 Euro) and  first feature project Humidity by Nikola Ljuca (Serbia) &#8211; one of the  five projects in the BOOST!-program, a collaboration of CineMart, the  Hubert Bals Fund and Binger Filmlab &#8211; took the Eurimages Co-Production  Development Award (30,000). The Jury gave a Special Mention to  Indian-American co-production The Lunchbox by Ritesh Batra (India).</p>
<p>Jury members for the ARTE France Cinéma and Eurimages Awards were Claire  Launay (ARTE France Cinéma), Petri Kemppinen (Finnish Film Foundation)  and Winnie Lau (Fortissimo Films).</p>
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		<title>Top 20 Nigerian Filmmakers</title>
		<link>http://www.supplemagazine.org/top-20-nigerian-filmmakers.html</link>
		<comments>http://www.supplemagazine.org/top-20-nigerian-filmmakers.html#comments</comments>
		<pubDate>Wed, 01 Feb 2012 11:00:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Competitions]]></category>
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		<description><![CDATA[
Tunde Kelani
Top 20 Nigerian Filmmakers
In no particular order, the following are the top 20 Nigerian filmmakers based on the local and international ratings of their active engagements, current movies at the cinemas, critical press reviews by film critics and screenings at film festivals.
1. Tunde Kelani
Tunde Kelani has been the most resourceful and outstanding Nigerian filmmaker [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.supplemagazine.org/wp-content/uploads/Tunde-Kelani.jpg" alt="Tunde Kelani" title="Tunde Kelani" width="620" height="621" class="aligncenter size-full wp-image-1979" /><br />
<strong>Tunde Kelani</strong></p>
<p>Top 20 Nigerian Filmmakers</p>
<p>In no particular order, the following are the top 20 Nigerian filmmakers based on the local and international ratings of their active engagements, current movies at the cinemas, critical press reviews by film critics and screenings at film festivals.</p>
<p><strong>1. Tunde Kelani</strong></p>
<p>Tunde Kelani has been the most resourceful and outstanding Nigerian filmmaker from the old school who has remained very active since the 1970s to date when his contemporaries are no longer very active. He is accomplished in both celluloid and video And his notable films include Anikura, Ireke Onibudo, Pap Ajasco, Kannakanna, Ogun Ajaye, Iya Ni Wura, Taxi Driver, Iwa, Fopomoyo and feature videos Ti Oluwa Nile , Ayo Ni Mofe , Kosegbe, O Le Ku, Saworoide And Thunderbolt and Maami.</p>
<p><strong>2. Amaka Igwe</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Amaka-Igwe.png" alt="Amaka Igwe" title="Amaka Igwe" width="620" height="724" class="aligncenter size-full wp-image-1980" /></p>
<p>Amaka Igwe may be called the “Mama of Nollywood” for being the leading lady of Nigeria’s home video industry for her notable contributions to the sustainable development from the 1990s to date. And famous for her outstanding movies Rattle Snake, Violated, Checkmate, Forever and celluloid film A Barber&#8217;s Wisdom &#8211; a film which is part of M-Net&#8217;s new directions.</p>
<p><strong>3. Izu Ojukwu</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Izu-Ojukwu.jpg" alt="Izu Ojukwu" title="Izu Ojukwu" width="620" height="467" class="aligncenter size-full wp-image-1981" /></p>
<p>Izu Ojukwu is one of the most accomplished Nigerian filmmakers of the new generation, but very modest about his achievements. He has won African Movie Academy Awards (AMAA) for Best Director for the film Sitanda, which received 9 nominations and won 5 awards at the 2007 African Movie Academy Awards, including Best Picture &#038; Best Nigerian Film.</p>
<p><strong>4. Lancelot Oduwa Imaseun</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Lancelot-Imasuen.jpg" alt="Lancelot Imasuen" title="Lancelot Imasuen" width="620" height="532" class="aligncenter size-full wp-image-1997" /></p>
<p>Lancelot Imaseun who is the real Mr. Prolific of Nollywood, is one of the icons of the Nigerian film industry who has been there from the birth of Nollywood in the early 1990s to date and a multiple award winning director of over 200 movies so far including A Private Storm, Bent Arrows , Home in Exile and his latest blockbuster Adesuwa.</p>
<p><strong>5. Teco Benson</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Teco-Benson.jpg" alt="Teco Benson" title="Teco Benson" width="621" height="466" class="aligncenter size-full wp-image-1998" /></p>
<p>Teco Benson is without dispute among the outstanding filmmakers in Nigeria today and among his notable movies are High Blood Pressure, The Fake Prophet, Mission To Nowhere, Explosion: Now or Never, Silence of the Gods, Blood Diamonds, Danger Signal, State of Emergency and War Front.</p>
<p><strong>6. Kunle Afolayan</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Kunle-Afolayan.jpg" alt="Kunle Afolayan" title="Kunle Afolayan" width="620" height="827" class="aligncenter size-full wp-image-1999" /></p>
<p>Kunle Afolayan is carrying on the torch of his famous father Adeyemi Afolayan, aka Ade Love who produced box office hits in the 1970s. Kunle’s Irapada was the best indigenous movie at the 2007 African Movie Academy Awards (AMAA) and his box office hit The Figurine: Araromire won the best picture prize and four other major awards at the 2010 African movie academy Awards (AMAA) and has been well received at local and international film festivals.</p>
<p><strong>7. Faruk Lasaki</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Faruk-Lasaki.jpg" alt="Faruk Lasaki" title="Faruk Lasaki" width="620" height="468" class="aligncenter size-full wp-image-1982" /></p>
<p>Faruk Lasaki is an accomplished young filmmaker who is more accomplished for his commercials. And his first feature Changing Faces has become one of the most critically successful Nigerian movies in recent time.</p>
<p><strong>8. Chineze Anyaene</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Chineze-Anyaene.jpg" alt="Chineze Anyaene" title="Chineze Anyaene" width="620" height="621" class="aligncenter size-full wp-image-1983" /></p>
<p>Chineze Anyaene’s first feature IJÉ the Journey shot on 35mm is so far the most successful Nigerian movie in Nigeria and at major international film festivals where the film has won many nominations and awards</p>
<p><strong>9. Mak Kusare</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Mak-Kusare.jpg" alt="Mak Kusare" title="Mak Kusare" width="621" height="439" class="aligncenter size-full wp-image-1984" /></p>
<p>Mak ’Kusare is a young and ambitious filmmaker who has won multiple awards for his features, including three awards for his first feature Ninety Degrees in 2006 at the Zuma Film Film Festival in Abuja, for the Best Director, Best First Film/Video of a Director and Best Feature Film. He also directed the Champions of our Time that has won prizes, including; Best Film award at the Zafaa International Film Festival, Abuja International Film Festival, the special jury prize for TV/Video fiction and a special ECOWAS prize at the 2011 Pan African Film and Television Festival of Ouagadougou (FESPACO).</p>
<p><strong>10. Jeta Amata</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/jeta_amata.jpg" alt="jeta_amata" title="jeta_amata" width="620" height="467" class="aligncenter size-full wp-image-1985" /></p>
<p>Jeta Amata is a highly rated filmmaker for his ambitious 35mm film The Amazing Grace which won the Best West African Film award at the 2006 Screen Nations Awards UK and for his daring award winning 2011 film Black Gold and the multiple awards winning Inale.</p>
<p><strong>11. Obi Emelonye</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Obi-Emelonye.jpg" alt="Obi-Emelonye" title="Obi-Emelonye" width="620" height="794" class="aligncenter size-full wp-image-1986" /></p>
<p>Obi Emelonye who is now based in the UK is a notable award winning Nollywood filmmaker known for his outstanding movies, including The Asylum (2008), Sweet, Betrayal (2007), Lucky Joe (2006), London Successor (2006), Echoes of War (2003), Who&#8217;s Next? (2001), Good Friends (2000) and his most successful so far The Mirror Boy.</p>
<p><strong>12. Mahmood Ali-Balogun</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Mahmood-Ali-Balogun-1.JPG" alt="Mahmood Ali-Balogun 1" title="Mahmood Ali-Balogun 1" width="621" height="466" class="aligncenter size-full wp-image-1987" /></p>
<p>Mahmood Ali-Balogun is the director of Tango With Me, one of the most successful Nigerian films shot on 35 mm and for “Temi ni Tooto” in 2003.. He is also respected for .his award-winning MNET short film A Place called Home in 1998</p>
<p><strong>13. Stephanie Okereke</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Stephanie_okereke1.jpg" alt="Stephanie_okereke" title="Stephanie_okereke" width="620" height="884" class="aligncenter size-full wp-image-1989" /></p>
<p>Stephanie Okereke’s Through the Glass which premiered in October 18th 2008 at the Pacific Design Center in Hollywood, California and got her the Recognition Award from the California state legislature and the city of Carson is among the top 10 Nigerian movies at the cinemas and also got an international distributor in North America.<br />
.<br />
<strong>14. Femi Odugbemi</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Femi-Odugbemi31.jpg" alt="Femi-Odugbemi3" title="Femi-Odugbemi3" width="620" height="820" class="aligncenter size-full wp-image-1990" /></p>
<p>Femi Odugbemi is a highly esteemed award-winning filmmaker who is notable for his award winning documentaries, dramas, TV Shows and commercials and commended for his Bar Beach Blues and Maroko.</p>
<p><strong>15. Lonzo Nzekwe</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Lonzo-Nzekwe.jpg" alt="Lonzo Nzekwe" title="Lonzo Nzekwe" width="620" height="593" class="aligncenter size-full wp-image-1991" /></p>
<p>Lonzo Nzekwe’s Anchor Baby won the Best Film prize at the 2010 Harlem International Film Festival in New York and has taken him places so far. The film is among the fantastic revelations of Nigerian motion pictures in the first decade of the 21st century.</p>
<p><strong>16. Michelle Bello</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/michelle-bello1.jpg" alt="michelle-bello" title="michelle-bello" width="620" height="794" class="aligncenter size-full wp-image-1992" /></p>
<p>Michelle Bello’s feature film, “Small Boy” had scooped coveted prizes and nominations at various awards ceremonies and film festivals, including Two AMAA awards for Best Art Direction and Best Young Child Actor in April 2009; two nominations at the American Black Film Festival in Los Angeles in August 2008, the Heineken Red Star Award for Innovation in Film and the Target Filmmaker Award for Most Inspirational Film. The film was also part of the Federal Government delegation to the Israeli Film Festival. Ms. Bello is a graduate of American University in Washington, D.C. where she earned a degree in Mass Communication, specializing in Visual Media. She is the daughter of respected arts promoter, Mrs. Sylva Bello, of the Masoma Foundation.</p>
<p><strong>17. Chike Ibekwe</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Chike-Ibekwe1.jpg" alt="Chike-Ibekwe" title="Chike-Ibekwe" width="620" height="928" class="aligncenter size-full wp-image-1993" /></p>
<p>Chike Ibekwe’s first and only feature so far Eternal shared the Golden Screen prize for the best film award with “An Unusual Woman” by Burkinabe director Abdoulaye Dao at the 14th annual “Ecrans noirs” Film Festival in Yaounde (Cameroon) and has been screened at other international film festivals..</p>
<p><strong>18. Niji Akanni</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Niji-Akanni-1.jpg" alt="Niji-Akanni 1" title="Niji-Akanni 1" width="620" height="415" class="aligncenter size-full wp-image-1994" /></p>
<p>Niji Akanni is a quiet storm that thundered with Aramotu his historical film that won the Best Nigerian film prize at the 2011 http://www.ama-awards.com/amaa-nominees-and-winners-2011African Movie Academy Awards (AMAA), beating Mahmood Ali-Balogun’s Tango With Me, Tunde Kelani’s Maami, Jeta Amata’s Inale and Lancelot Imaseun/Ikechukwu Onyeka’s Private Storm. Akanni is a seasoned and well educated director who is highly respected in the Nigerian film industry for his award winning short and full length films.</p>
<p><strong>19. Newton Aduaka</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Newton-Aduaka.jpg" alt="Newton Aduaka" title="Newton Aduaka" width="620" height="467" class="aligncenter size-full wp-image-1995" /></p>
<p>Newton Aduaka’s feature film, Rage, became the first wholly independently financed film by a black filmmaker in the history of British cinema to be released nationwide and has earned him a place among the most accomplished young Black filmmakers in the world today. Ezra, his first non-independently funded film, for Arte France was nominated for top honours at several film festivals and was an official selection at Sundance and Cannes and won the most coveted first prize of Etalon d&#8217;or de Yennenga (the golden stallion of Yennenga) at the 2007 Panafrican Film and Television Festival of Ouagadougou (FESPACO).</p>
<p><strong>20. Ejim Onyenkachi</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Onyekachi-Lucky-Ejim.jpg" alt="Onyekachi Lucky Ejim" title="Onyekachi Lucky Ejim" width="620" height="410" class="aligncenter size-full wp-image-1996" /></p>
<p>Ejim Onyekachi’s multiple award winning film The Tenant earned him a place among the top 20 Nigerian filmmakers. The film notably won the Audience Choice Award, Best Feature Film– at the Hollywood Black Film Festival in 2009, Best Film at the Mid Atlantic Black Film Festival, Virginia in 2009 and the Best Feature Film at the Moving Image Film festival, Toronto, Canada in 2008.</p>
<p><span style="font-style: italic;">~ By Ekenyerengozi Michael Chima is the author of</span> <a href="http://www.highbeam.com/doc/1P3-1088416011.html">Young At Art</a>, <a href="http://www.highbeam.com/doc/1P3-1088404031.html">Best of Nollywood</a> <span style="font-style: italic;">and other articles and books</span>.</p>
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		<title>The 2012 Golden Globes Winners</title>
		<link>http://www.supplemagazine.org/the-2012-golden-globes-winners.html</link>
		<comments>http://www.supplemagazine.org/the-2012-golden-globes-winners.html#comments</comments>
		<pubDate>Tue, 24 Jan 2012 12:42:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Competitions]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film Festivals]]></category>
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		<description><![CDATA[
The winners are highlighted in the following order.
George Clooney won for his outstanding acting in the &#8220;The Descendants&#8221;.
Best Motion Picture &#8211; Drama
&#8220;The Descendants&#8221;
&#8220;The Help&#8221;
&#8220;Hugo&#8221;
&#8220;The Ides of March&#8221;
&#8220;Moneyball&#8221;
&#8220;War Horse&#8221;
Best Performance by an Actress in a Motion Picture &#8211; Drama
Glenn Close, &#8220;Albert Nobbs&#8221;
Viola Davis, &#8220;The Help&#8221;
Rooney Mara, &#8220;The Girl With the Dragon Tattoo&#8221;
Meryl Streep, &#8220;The Iron Lady&#8221;
Tilda [...]]]></description>
			<content:encoded><![CDATA[<p><iframe width="620" height="345" src="http://www.youtube.com/embed/H0CvR6YoXnM" frameborder="0" allowfullscreen></iframe></p>
<p>The winners are highlighted in the following order.</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/George-Clooney-2012.jpg" alt="George-Clooney 2012" title="George-Clooney 2012" width="620" height="854" class="aligncenter size-full wp-image-1975" />George Clooney won for his outstanding acting in the &#8220;The Descendants&#8221;.</p>
<p>Best Motion Picture &#8211; Drama<br />
<strong>&#8220;The Descendants&#8221;</strong><br />
&#8220;The Help&#8221;<br />
&#8220;Hugo&#8221;<br />
&#8220;The Ides of March&#8221;<br />
&#8220;Moneyball&#8221;<br />
&#8220;War Horse&#8221;</p>
<p>Best Performance by an Actress in a Motion Picture &#8211; Drama<br />
Glenn Close, &#8220;Albert Nobbs&#8221;<br />
Viola Davis, &#8220;The Help&#8221;<br />
Rooney Mara, &#8220;The Girl With the Dragon Tattoo&#8221;<br />
<strong>Meryl Streep, &#8220;The Iron Lady&#8221;</strong><br />
Tilda Swinton, &#8220;We Need to Talk About Kevin&#8221;</p>
<p>Best Performance by an Actor in a Motion Picture &#8211; Drama<br />
<strong>George Clooney, &#8220;The Descendants&#8221;</strong><br />
Leonardo DiCaprio, &#8220;J. Edgar&#8221;<br />
Michael Fassbender, &#8220;Shame<br />
Ryan Gosling, &#8220;The Ides of March&#8221;<br />
Brad Pitt, &#8220;Moneyball&#8221;</p>
<p>Best Motion Picture &#8211; Comedy or Musical<br />
&#8220;50/50&#8243;<br />
<strong>&#8220;The Artist&#8221;</strong><br />
&#8220;Bridesmaids&#8221;<br />
&#8220;Midnight in Paris&#8221;<br />
&#8220;My Week With Marilyn&#8221;</p>
<p>Best Performance by an Actress in a Motion Picture &#8211; Comedy or Musical<br />
Jodie Foster, &#8220;Carnage<br />
Charlize Theron, &#8220;Young Adult&#8221;<br />
Kristen Wiig, &#8220;Bridesmaids&#8221;<br />
<strong>Michelle Williams, &#8220;My Week With Marilyn&#8221;</strong><br />
Kate Winslet, &#8220;Carnage&#8221;</p>
<p>Best Performance by an Actor in a Motion Picture &#8211; Comedy or Musical<br />
<strong>Jean Dujardin, &#8220;The Artist</strong><br />
Brendan Gleeson, &#8220;The Guard&#8221;<br />
Joseph Gordon-Levitt, &#8220;50/50&#8243;<br />
Ryan Gosling, &#8220;Crazy, Stupid, Love.&#8221;<br />
Owen Wilson, &#8220;Midnight in Paris&#8221;</p>
<p>Best Animated Feature Film<br />
<strong>&#8220;The Adventures of Tintin&#8221;</strong><br />
&#8220;Arthur Christmas&#8221;<br />
&#8220;Cars 2&#8243;<br />
&#8220;Puss in Boots&#8221;<br />
&#8220;Rango&#8221;</p>
<p>Best Foreign Language Film<br />
&#8220;The Flowers of War&#8221; (China)<br />
&#8220;In the Land of Blood and Honey&#8221; (USA)<br />
&#8220;The Kid With a Bike&#8221; (Belgium)<br />
<strong>&#8220;A Separation&#8221; (Iran)</strong><br />
&#8220;The Skin I Live In&#8221; (Spain)</p>
<p>Best Performance by an Actress in a Supporting Role in a Motion Picture<br />
Berenice Bejo, &#8220;The Artist&#8221;<br />
Jessica Chastain, &#8220;The Help&#8221;<br />
Janet McTeer, &#8220;Albert Nobbs&#8221;<br />
<strong>Octavia Spencer, &#8220;The Help&#8221;</strong><br />
Shailene Woodley, &#8220;The Descendants&#8221;</p>
<p>Best Performance by an Actor in a Supporting Role in a Motion Picture<br />
Kenneth Branagh, &#8220;My Week with Marilyn&#8221;<br />
Albert Brooks, &#8220;Drive&#8221;<br />
Jonah Hill, &#8220;Moneyball&#8221;<br />
Viggo Mortensen, &#8220;A Dangerous Method&#8221;<br />
<strong>Christopher Plummer, &#8220;Beginners&#8221;</strong></p>
<p>Best Director &#8211; Motion Picture<br />
Woody Allen, &#8220;Midnight in Paris&#8221;<br />
George Clooney, &#8220;The Ides of March&#8221;<br />
Michel Hazanavicius, &#8220;The Artist&#8221;<br />
Alexander Payne, &#8220;The Descendants&#8221;<br />
<strong>Martin Scorsese, &#8220;Hugo&#8221;</strong></p>
<p>Best Screenplay &#8211; Motion Picture<br />
<strong>Woody Allen, &#8220;Midnight in Paris&#8221;</strong><br />
George Clooney, Grant Heslov, Beau Willimon &#8211; &#8220;The Ides of March&#8221;<br />
Michel Hazanavicius &#8211; &#8220;The Artist&#8221;<br />
Alexander Payne, Nat Faxon, Jim Rash &#8211; &#8220;The Descendants&#8221;<br />
Steven Zaillian, Aaron Sorkin &#8211; &#8220;Moneyball&#8221;</p>
<p>Best Original Score &#8211; Motion Picture<br />
<strong>Ludovic Bource &#8211; &#8220;The Artist&#8221;</strong><br />
Abel Korzeniowski &#8211; &#8220;W.E.&#8221;<br />
Trent Reznor, Atticus Ross &#8211; &#8220;The Girl With the Dragon Tattoo&#8221;<br />
Howard Shore &#8211; &#8220;Hugo&#8221;<br />
John Williams &#8211; &#8220;War Horse&#8221;</p>
<p>Best Original Song &#8211; Motion Picture<br />
&#8220;Hello Hello&#8221; &#8211; &#8220;Gnomeo &#038; Juliet,&#8221; music by Elton John, lyrics by Bernie Taupin<br />
&#8220;The Keeper&#8221;- &#8220;Machine Gun Preacher,&#8221; music and lyrics by Chris Cornell<br />
&#8220;Lay Your Head Down&#8221; &#8211; &#8220;Albert Nobbs,&#8221; music by Brian Byrne, lyrics by Glenn Close<br />
&#8220;The Living Proof&#8221; &#8211; &#8220;The Help&#8221;; music by Mary J. Blige, Thomas Newman, Harvey Mason Jr.; lyrics by Mary J. Blige, Harvey Mason Jr., Damon Thomas<br />
<strong>&#8220;Masterpiece&#8221; &#8211; W.E., music and lyrics by Madonna, Julie Frost, Jimmy Harry</strong></p>
<p>Best Television Series &#8211; Drama<br />
&#8220;American Horror Story&#8221;<br />
&#8220;Boardwalk Empire&#8221;<br />
&#8220;Boss&#8221;<br />
&#8220;Game of Thrones&#8221;<br />
<strong>&#8220;Homeland&#8221;</strong></p>
<p>Best Performance by an Actress in a Television Series &#8211; Drama<br />
<strong>Claire Danes, &#8220;Homeland&#8221;</strong><br />
Mireille Enos, &#8220;The Killing&#8221;<br />
Julianna Margulies, &#8220;The Good Wife&#8221;<br />
Madeleine Stowe, &#8220;Revenge&#8221;<br />
Callie Thorne, &#8220;Necessary Roughness&#8221;</p>
<p>Best Performance by an Actor in a Television Series &#8211; Drama<br />
Steve Buscemi, &#8220;Boardwalk Empire&#8221;<br />
Bryan Cranston, &#8220;Breaking Bad&#8221;<br />
<strong>Kelsey Grammer, &#8220;Boss&#8221;</strong><br />
Jeremy Irons, &#8220;The Borgias&#8221;<br />
Damian Lewis, &#8220;Homeland&#8221;</p>
<p>Best Television Series &#8211; Comedy or Musical<br />
&#8220;Enlightened&#8221;<br />
&#8220;Episodes&#8221;<br />
&#8220;Glee&#8221;<br />
<strong>&#8220;Modern &#8220;Family&#8221;</strong><br />
&#8220;New Girl&#8221;</p>
<p>Best Performance by an Actress in a Television Series &#8211; Comedy or Musical<br />
<strong>Laura Dern, &#8220;Enlightened&#8221;</strong><br />
Zooey Deschanel, &#8220;New Girl&#8221;<br />
Tina Fey, &#8220;30 Rock&#8221;<br />
Laura Linney, &#8220;The Big C&#8221;<br />
Amy Poehler, &#8220;Parks and Recreation&#8221;</p>
<p>Best Performance by an Actor in a Television Series &#8211; Comedy or Musical<br />
Alec Baldwin, &#8220;30 Rock&#8221;<br />
David Duchovny, &#8220;Californication&#8221;<br />
Johnny Galecki, &#8220;The Big Bang Theory&#8221;<br />
Thomas Jane, &#8220;Hung&#8221;<br />
<strong>Matt LeBlanc, &#8220;Episodes&#8221;</strong></p>
<p>Best Mini-Series or Motion Picture Made for Television Movie<br />
&#8220;Cinema Verite&#8221;<br />
<strong>&#8220;Downton Abbey&#8221;</strong><br />
&#8220;The Hour&#8221;<br />
&#8220;Mildred Pierce&#8221;<br />
&#8220;Too Big to Fail&#8221;</p>
<p>Best Performance by an Actress in a Mini-Series or Motion Picture Made for Television<br />
Romola Garai, &#8220;The Hour&#8221;<br />
Diane Lane, &#8220;Cinema Verite&#8221;<br />
Elizabeth McGovern, &#8220;Downton Abbey&#8221; (Masterpiece)<br />
Emily Watson, &#8220;Appropriate Adult&#8221;<br />
<strong>Kate Winslet, &#8220;Mildred Pierce&#8221;</strong></p>
<p>Best Performance by an Actor in a Mini-Series or Motion Picture Made for Television<br />
Hugh Bonneville, &#8220;Downtown Abbey&#8221; (Masterpiece)<br />
<strong>Idris Elba, &#8220;Luther&#8221;</strong><br />
William Hurt, &#8220;Too Big to Fail&#8221;<br />
Bill Nighy, &#8220;Page Eight&#8221; (Masterpiece)<br />
Dominic West, &#8220;The Hour&#8221;</p>
<p>Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television<br />
<strong>Jessica Lange, &#8220;American Horror Story&#8221;</strong><br />
Kelly MacDonald, &#8220;Boardwalk Empire&#8221;<br />
Maggie Smith, &#8220;Downtown Abbey&#8221; (Masterpiece)<br />
Sofia Vergara, &#8220;Modern Family&#8221;<br />
Evan Rachel Wood, &#8220;Mildred Pierce&#8221;</p>
<p>Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television<br />
<strong>Peter Dinklage, &#8220;Game of Thrones&#8221;</strong><br />
Paul Giamatti, &#8220;Too Big to Fail&#8221;<br />
Guy Pearce, &#8220;Mildred Pierce&#8221;<br />
Tim Robbins, &#8220;Cinema Verite&#8221;<br />
Eric Stonestreet, &#8220;Modern Family&#8221;</p>
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		<title>Top 10 Nollywood Divas</title>
		<link>http://www.supplemagazine.org/top-10-nollywood-divas.html</link>
		<comments>http://www.supplemagazine.org/top-10-nollywood-divas.html#comments</comments>
		<pubDate>Sat, 21 Jan 2012 12:21:14 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Competitions]]></category>
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		<guid isPermaLink="false">http://www.supplemagazine.org/?p=1956</guid>
		<description><![CDATA[Genevieve Nnaji
The top 10 Nollywood divas have been selected based on their current active engagements both in home videos and cinemas since the revival of the movie theatre culture in Nigeria after many years of dormancy. They have proved to be truly the leading ladies of Nollywood in local and international movies. They all have [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.supplemagazine.org/wp-content/uploads/Genevie-Nnaji-1.jpg" alt="Genevie Nnaji 1" title="Genevie Nnaji 1" width="620" height="468" class="aligncenter size-full wp-image-1958" />Genevieve Nnaji</p>
<p>The top 10 Nollywood divas have been selected based on their current active engagements both in home videos and cinemas since the revival of the movie theatre culture in Nigeria after many years of dormancy. They have proved to be truly the leading ladies of Nollywood in local and international movies. They all have their aces. They can walk tall on any red carpet in the world if they can improve their public relations and go beyond the African magic of Nollywood.  </p>
<p><strong>1.	Genevieve Nnaji<br />
2.	Rita Dominic<br />
3.	Omotola Jalade-Ekeinde<br />
4.	Stephanie Okereke<br />
5.	Funke Akindele<br />
6.	Omoni Oboli<br />
7.	Monalisa Chinda<br />
8.	Tonto Dike<br />
9.	Ini Edo<br />
10.	Uche Jumbo</strong></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Rita-Dominic.jpg" alt="Rita Dominic" title="Rita Dominic" width="620" height="802" class="aligncenter size-full wp-image-1959" />Rita Dominic</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Omotola-Jalade-3.jpg" alt="Omotola-Jalade 3" title="Omotola-Jalade 3" width="620" height="932" class="aligncenter size-full wp-image-1961" />Omotola Jalade-Ekeinde</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/stephane-top.jpg" alt="stephane top" title="stephane top" width="620" height="827" class="aligncenter size-full wp-image-1962" />Stephanie Okereke</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/funke-akindele-1.jpg" alt="funke-akindele 1" title="funke-akindele 1" width="620" height="851" class="aligncenter size-full wp-image-1963" />Funke Akindele</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Omoni-Oboli-top.jpg" alt="Omoni-Oboli top" title="Omoni-Oboli top" width="620" height="413" class="aligncenter size-full wp-image-1964" />Omoni Oboli</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/monalisa-top.jpg" alt="monalisa top" title="monalisa top" width="620" height="935" class="aligncenter size-full wp-image-1965" />Monalisa Chinda</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Tonto-Dike.jpg" alt="Tonto Dike" title="Tonto Dike" width="620" height="926" class="aligncenter size-full wp-image-1967" />Tonto Dike</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Ini-Edo-top.jpg" alt="Ini Edo top" title="Ini Edo top" width="620" height="746" class="aligncenter size-full wp-image-1971" />Ini Edo</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/UCHE-JOMBO-top1.jpg" alt="UCHE-JOMBO top" title="UCHE-JOMBO top" width="620" height="924" class="aligncenter size-full wp-image-1969" />Uche Jumbo</p>
<p><em>~ By Hope Obioma Opara<br />
Publisher, Supple Magazine<br />
President,</em> <a href="http://www.ekoiff.com/team.htm">Eko International Film Festival</a></p>
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		<title>Angelina Jolie Donates Proceeds of First Film’s Soundtrack to Charity in Bosnia</title>
		<link>http://www.supplemagazine.org/angelina-jolie-donates-proceeds-of-first-film%e2%80%99s-soundtrack-to-charity-in-bosnia.html</link>
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		<pubDate>Sun, 01 Jan 2012 12:43:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://www.supplemagazine.org/?p=1939</guid>
		<description><![CDATA[

Angelina Jolie
American actress Angelina Jolie who is well known for humanitarian causes as a Goodwill Ambassador for the United Nations High Commissioner for Refugees (UNHCR) said that the SOS Children&#8217;s Villages in  Bosnia and Herzegovina will receive a sizable part of the proceeds from the soundtrack LP of her  thrilling new film In [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.supplemagazine.org/wp-content/uploads/happy-new-year-2012-2.jpg" alt="happy-new-year-2012-2" title="happy-new-year-2012-2" width="620" height="386" class="aligncenter size-full wp-image-1944" /></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Jolie-for-refugees.jpg" alt="Jolie for refugees" title="Jolie for refugees" width="620" height="897" class="aligncenter size-full wp-image-1940" /><br />
<strong>Angelina Jolie</strong></p>
<p>American actress <a href="http://en.wikipedia.org/wiki/Angelina_Jolie">Angelina Jolie</a> who is well known for humanitarian causes as a Goodwill Ambassador for the United Nations High Commissioner for Refugees (UNHCR) said that the <a href="http://www.sos-childrensvillages.org/Where-we-help/Europe/Bosnia-and-Herzegovina/Pages/default.aspx">SOS Children&#8217;s Villages in  Bosnia and Herzegovina</a> will receive a sizable part of the proceeds from the soundtrack LP of her  thrilling new film <a href="http://www.inthelandofbloodandhoney.com/">In the Land of Blood and Honey</a>, which is her debut as a director and screenwriter. The review was published in <a href="http://www.supplemagazine.or/?s=In+the+Land+of+Blood+and+Honey">Supple Magazine</a> last August.</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/In-the-Land-of-Blood-and-Honey.jpg" alt="In the Land of Blood and Honey" title="In the Land of Blood and Honey" width="620" height="920" class="aligncenter size-full wp-image-1941" /></p>
<p>The SOS Children’s Villages in Bosnia and Herzegovina have been caring for the children adversely affected by the Balkans war back in the 1990s.</p>
<p>“We are happy that a portion of the proceeds from the film’s soundtrack will support SOS Children’s Village in Bosnia and Herzegovina to provide stable, family-based homes to children, regardless of religion, ethnicity or gender, who do not have their own families to care for them”, Jolie said.</p>
<p><em>In The Land of Blood and Honey</em> has received favourable critical reviews and last December the Producers Guild of America announced that the film would be honored with its 2012 Stanley Kramer Award and it has been nominated in the Best Foreign Language category for the 69th Golden Globe Awards.</p>
<p>The following is the Official Soundtrack List for Angelina Jolie’s “In The Land of Blood and Honey”:</p>
<p>Music Composed by<br />
Gabriel Yared<br />
(The Lives Of Others, Cold Mountain)<br />
Release Date: 01/10/12<br />
1. When The Heart Dies (3:59)<br />
Performed by Nataša Mirković – De Ro<br />
2. Sables Mouvants (3:15)<br />
Composed by Gabriel Yared<br />
3. Towards The Unknown (2:16)<br />
Composed by Gabriel Yared<br />
4. The Loss (3:04)<br />
Composed by Gabriel Yared<br />
5. Miss Sarajevo* (5:44)<br />
Performed by Passengers and Luciano Pavarotti<br />
6. Evo Jedne Što Se Svira Na Plaži<br />
(Here’s One That Is Sung By The Sea)* (2:53)<br />
Performed by Bombaj Stampa<br />
7. The Waves (5:11)<br />
Performed by Dado Džihan &#038; Waves and Patterns<br />
8. Moja Bozicna* (4:14)<br />
Performed by Rade Šerbedžija &#038; Miroslav Tadić<br />
9. Zemlja (2:13)<br />
Performed by Samir Besirevic<br />
10. Tebi Za Ljubav (3:15)<br />
Performed by Radisa Urosevic<br />
11. Stani Draga (3:52)<br />
Performed by Almer Imamovic<br />
12. Od Srca (From The Heart) (2:58)<br />
Performed by Boban Markovic Orkestar<br />
13. A Wish (3:59)<br />
Performed by Dado Džihan &#038; Waves and Patterns</p>
<p><em>~ By Ekenyerengozi Michael Chima</em></p>
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		<title>Ghanaian Actresses Are Hotter Than Nigerian Actresses</title>
		<link>http://www.supplemagazine.org/ghanaian-actresses-are-hotter-than-nigerian-actresses.html</link>
		<comments>http://www.supplemagazine.org/ghanaian-actresses-are-hotter-than-nigerian-actresses.html#comments</comments>
		<pubDate>Thu, 29 Dec 2011 11:14:18 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://www.supplemagazine.org/?p=1916</guid>
		<description><![CDATA[
Yvonne Nelson
Ghanaian Actresses Are Hotter Than Nigerian Actresses 

Nadia Buari

Jackie Appiah

Jocelyn Dumas
When you compare Nigerian actresses with Ghanaian actresses, you will see that the Ghanaian Actresses Yvonne Nelson, Yvonne Okoro, Juliet Ibrahim, Nana Ama McBrown and Jocelyn Dumas are hotter than Nigeria&#8217;s Genevieve Nnaji, Omotola Jalade-Ekeinde, Rita Dominic, Mercy Johnson, Ini Edo and Tonto Dike [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.supplemagazine.org/wp-content/uploads/YV1.jpg" alt="YV1" title="YV1" width="621" height="819" class="aligncenter size-full wp-image-1918" /><br />
Yvonne Nelson</p>
<p>Ghanaian Actresses Are Hotter Than Nigerian Actresses </p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Nadia-Buari-2.jpg" alt="Nadia-Buari-2" title="Nadia-Buari-2" width="620" height="593" class="aligncenter size-full wp-image-1919" /><br />
Nadia Buari</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Jackie-Appiah1.jpg" alt="Jackie Appiah" title="Jackie Appiah" width="620" height="621" class="aligncenter size-full wp-image-1921" /><br />
Jackie Appiah</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/joselyn_dumas-sitting.jpg" alt="joselyn_dumas sitting" title="joselyn_dumas sitting" width="620" height="563" class="aligncenter size-full wp-image-1935" /><br />
Jocelyn Dumas</p>
<p>When you compare Nigerian actresses with Ghanaian actresses, you will see that the Ghanaian Actresses Yvonne Nelson, Yvonne Okoro, Juliet Ibrahim, Nana Ama McBrown and Jocelyn Dumas are hotter than Nigeria&#8217;s Genevieve Nnaji, Omotola Jalade-Ekeinde, Rita Dominic, Mercy Johnson, Ini Edo and Tonto Dike on and off screen. They have more swagger and style, like Yvonne Nelson and Jocelyn Dumas who are already fast becoming style icons in Ghana and beyond. Yvonne Nelson in particular is just too hot from her head to her toes.</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Genevieve-Nnaji135.jpg" alt="Genevieve-Nnaji135" title="Genevieve-Nnaji135" width="621" height="709" class="aligncenter size-full wp-image-1922" /><br />
Genevieve Nnaji</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Omotola.jpg" alt="Omotola" title="Omotola" width="620" height="931" class="aligncenter size-full wp-image-1923" /><br />
Omotola Jalade Ekeinde</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Ini-Edo.jpg" alt="Ini Edo" title="Ini Edo" width="620" height="828" class="aligncenter size-full wp-image-1933" /><br />
Ini Edo</p>
<p>What makes the Ghollywood actresses  hotter than Nollywood actresses? Their thrilling sex appeal and trendy style! Except for Mercy Johnson and the audacious Tonto Dike, the other Nollywood divas cannot compete with Yvonne Nelson, Yvonne Okoro, Juliet Ibrahim, Ashanti sex symbol Nana-Ama-Mcbrown and Joselyn-Dumas.</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Juliet-Ibahim-first.jpg" alt="Juliet Ibahim first" title="Juliet Ibahim first" width="621" height="766" class="aligncenter size-full wp-image-1924" /></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Juliet-Ibrahim-3.jpg" alt="Juliet Ibrahim 3" title="Juliet Ibrahim 3" width="620" height="824" class="aligncenter size-full wp-image-1925" /></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Juliet-Ibrahim-4.jpg" alt="Juliet Ibrahim 4" title="Juliet Ibrahim 4" width="620" height="933" class="aligncenter size-full wp-image-1926" /><br />
Juliet Ibrahim</p>
<p>It takes more than a pretty face to be hot! When you are hot, you are sexy and so the Ghanaian actresses are definitely sexier than Nigerian actresses, because they are more daring to go the extra mile in playing their roles in romantic and erotic scenes of movies. The Nigerian actresses seem to be inhibited by certain reasons restraining them from emphasizing their sexuality in movies. They are coy when it comes to romantic and erotic roles and you can see that they are slyly hesitant; but coquettish.</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Yvonne-Okoro.jpg" alt="Yvonne Okoro" title="Yvonne Okoro" width="620" height="907" class="aligncenter size-full wp-image-1927" /><br />
Yvonne Okoro</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Mercy-Johnson.jpg" alt="Mercy Johnson" title="Mercy Johnson" width="621" height="1001" class="aligncenter size-full wp-image-1928" /><br />
Mercy Johnson</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Nana-Ama-Mc-Brown.jpg" alt="Nana Ama Mc Brown" title="Nana Ama Mc Brown" width="620" height="878" class="aligncenter size-full wp-image-1929" />  </p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/nana_ama_mcbrown-blue.png" alt="nana_ama_mcbrown blue" title="nana_ama_mcbrown blue" width="620" height="739" class="aligncenter size-full wp-image-1930" /><br />
Nana Ama McBrown</p>
<p>Ghanaian actress Amake Abebrese (Sinking Sands) beat Nigeria&#8217;s Queen of Nollywood Genevieve Nnaji (Tango With Me) and Omoni Oboli (Anchor Baby) in the 2011 <a href="http://www.ama-awards.com/amaa-nominees-and-winners-2011">African Movie Academy Awards</a> (AMAA) to win the Best Actress Award. So, Ghollywood has actresses who can stand and walk tall in competition with the best Nollywood divas. </p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Tonto-Dike1.jpg" alt="Tonto-Dike1" title="Tonto-Dike1" width="620" height="926" class="aligncenter size-full wp-image-1932" /></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/tonto.jpg" alt="tonto" title="tonto" width="620" height="1284" class="aligncenter size-full wp-image-1931" /><br />
Tonto Dike</p>
<p>The African woman is naturally sexy and as they say hips don’t lie, African women from their lips to their hips are sex symbols from coast to coast. And they don’t need Victoria’s Secret brassieres or thongs to prove their sexuality. That is why African maidens from Ghana to Nigeria and down to Swaziland and South Africa were bold to walk and dance topless in traditional festivals before the hypocritical Western puritans and prudes introduced their moral and religious code of conduct to restrict the public display of the sexuality of African beauty. We can still see more of the sexuality of the African beauty in Ghanaian actresses and that has made them hotter than the majority of Nigerian actresses.</p>
<p><em>~ By Ekenyerengozi Michael Chima</em></p>
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		<title>Spielberg&#8217;s War Horse Comes to Theatres on Christmas Day</title>
		<link>http://www.supplemagazine.org/spielbergs-war-horse-comes-to-theatres-on-christmas-day.html</link>
		<comments>http://www.supplemagazine.org/spielbergs-war-horse-comes-to-theatres-on-christmas-day.html#comments</comments>
		<pubDate>Thu, 22 Dec 2011 10:37:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://www.supplemagazine.org/?p=1910</guid>
		<description><![CDATA[
The most awaited movie premiere of the year is Steven Spielberg’s War Horse opening on Christmas Day December 25 in the US and on January 13, 2012 in the UK.
War Horse is an adaptation of British author Michael Morpurgo’s children&#8217;s novel set during World War I. The novel was first published in 1982 and had [...]]]></description>
			<content:encoded><![CDATA[<p><iframe width="620" height="345" src="http://www.youtube.com/embed/tQMAtjB7frM" frameborder="0" allowfullscreen></iframe></p>
<p>The most awaited movie premiere of the year is <a href="http://en.wikipedia.org/wiki/Steven_Spielberg">Steven Spielberg</a>’s <a href="http://en.wikipedia.org/wiki/War_Horse_%28film%29">War Horse</a> opening on Christmas Day December 25 in the US and on January 13, 2012 in the UK.</p>
<p><em>War Horse</em> is an adaptation of British author Michael Morpurgo’s children&#8217;s novel set during World War I. The novel was first published in 1982 and had a successful stage adaptation in 2007.</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/war-horse-poster.jpg" alt="war-horse-poster" title="war-horse-poster" width="620" height="887" class="aligncenter size-full wp-image-1911" /></p>
<p><strong>Synopsis:</strong><br />
<em>The First World War is experienced through the journey of this horse—an odyssey of joy and sorrow, passionate friendship and high adventure. “War Horse” is one of the great stories of friendship and war— a successful book, it was turned into a hugely successful international theatrical hit that is arriving on Broadway next year. It now comes to screen in an epic adaptation by one of the great directors in film history. </em></p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/war-horse-jeremy-irvine-spielberg2.jpg" alt="war-horse-jeremy-irvine-spielberg2" title="war-horse-jeremy-irvine-spielberg2" width="620" height="410" class="aligncenter size-full wp-image-1912" /><br />
<strong>Jeremy Irvine and Steven Spielberg on the set of the dramatic movie</strong></p>
<p>Spielberg said he had challenges in reworking “a beloved Broadway play into a big screen moment to remember”.<br />
<em>War Horse</em> is the second Steven Spielberg film opening this December in the US. The first <a href="http://en.wikipedia.org/wiki/The_Adventures_of_Tintin_%28film%29">The Adventures of Tintin</a> was released yesterday Wednesday December 21, 2011 in Digital 3D and IMAX.</p>
<p><em>The Adventures of Tintin</em> is Spielberg&#8217;s first foray into motion-capture filmmaking as well as 3-D.<br />
&#8220;Tintin,&#8221; is the famous comic hero created by the Belgian artist named Hergé in the late 1920s. Tintin is a young daring investigative reporter whose travels around the world exposes him to fantastic adventures as he covers big stories and uncovers even larger mysteries accompanied by his dog, Snowy.</p>
<p>I am really excited to see how <em>War Horse</em> will fare at the box office. Will it set a new box office record?</p>
<table border="0" cellspacing="5">
<tbody>
<tr>
<th style="text-align: left; white-space: nowrap;" scope="row">Directed by</th>
<td><a title="Steven Spielberg" href="http://en.wikipedia.org/wiki/Steven_Spielberg">Steven Spielberg</a></td>
</tr>
<tr>
<th style="text-align: left; white-space: nowrap;" scope="row">Produced by</th>
<td>Steven Spielberg<br />
<a title="Kathleen Kennedy (film producer)" href="http://en.wikipedia.org/wiki/Kathleen_Kennedy_%28film_producer%29">Kathleen Kennedy</a></td>
</tr>
<tr>
<th style="text-align: left; white-space: nowrap;" scope="row">Screenplay by</th>
<td><a title="Richard Curtis" href="http://en.wikipedia.org/wiki/Richard_Curtis">Richard Curtis</a><br />
<a title="Lee Hall (playwright)" href="http://en.wikipedia.org/wiki/Lee_Hall_%28playwright%29">Lee Hall</a></td>
</tr>
<tr>
<th style="text-align: left; white-space: nowrap;" scope="row">Based on</th>
<td><em><a title="War Horse (novel)" href="http://en.wikipedia.org/wiki/War_Horse_%28novel%29">War Horse</a></em> by<br />
<a title="Michael Morpurgo" href="http://en.wikipedia.org/wiki/Michael_Morpurgo">Michael Morpurgo</a></td>
</tr>
<tr>
<th style="text-align: left; white-space: nowrap;" scope="row">Starring</th>
<td><a title="Jeremy Irvine" href="http://en.wikipedia.org/wiki/Jeremy_Irvine">Jeremy Irvine</a><br />
<a title="Emily Watson" href="http://en.wikipedia.org/wiki/Emily_Watson">Emily Watson</a><br />
<a title="Peter Mullan" href="http://en.wikipedia.org/wiki/Peter_Mullan">Peter Mullan</a><br />
<a title="David Thewlis" href="http://en.wikipedia.org/wiki/David_Thewlis">David Thewlis</a><br />
<a title="Benedict Cumberbatch" href="http://en.wikipedia.org/wiki/Benedict_Cumberbatch">Benedict Cumberbatch</a><br />
<a title="Tom Hiddleston" href="http://en.wikipedia.org/wiki/Tom_Hiddleston">Tom Hiddleston</a></td>
</tr>
<tr>
<th style="text-align: left; white-space: nowrap;" scope="row">Music by</th>
<td><a title="John Williams" href="http://en.wikipedia.org/wiki/John_Williams">John Williams</a></td>
</tr>
<tr>
<th style="text-align: left; white-space: nowrap;" scope="row">Cinematography</th>
<td><a title="Janusz Kamiński" href="http://en.wikipedia.org/wiki/Janusz_Kami%C5%84ski">Janusz Kamiński</a></td>
</tr>
<tr>
<th style="text-align: left; white-space: nowrap;" scope="row">Editing by</th>
<td><a title="Michael Kahn (film editor)" href="http://en.wikipedia.org/wiki/Michael_Kahn_%28film_editor%29">Michael Kahn</a></td>
</tr>
<tr>
<th style="text-align: left; white-space: nowrap;" scope="row">Studio</th>
<td><a title="DreamWorks" href="http://en.wikipedia.org/wiki/DreamWorks">DreamWorks Pictures</a><br />
<a title="Reliance Entertainment" href="http://en.wikipedia.org/wiki/Reliance_Entertainment">Reliance Entertainment</a><br />
<a title="Amblin Entertainment" href="http://en.wikipedia.org/wiki/Amblin_Entertainment">Amblin Entertainment</a><br />
<a title="The Kennedy/Marshall Company" href="http://en.wikipedia.org/wiki/The_Kennedy/Marshall_Company">The Kennedy/Marshall Company</a></td>
</tr>
<tr>
<th style="text-align: left; white-space: nowrap;" scope="row">Distributed by</th>
<td><a title="Touchstone Pictures" href="http://en.wikipedia.org/wiki/Touchstone_Pictures">Touchstone Pictures</a></td>
</tr>
<tr>
<th style="text-align: left; white-space: nowrap;" scope="row">Release <span>date(s)</span></th>
<td>25 December 2011<span style="display: none;"> (<span>2011-12-25</span>)</span></td>
</tr>
<tr>
<th style="text-align: left; white-space: nowrap;" scope="row">Running time</th>
<td>146 minutes <sup id="cite_ref-0"><a href="http://en.wikipedia.org/wiki/War_Horse_%28film%29#cite_note-0"></a></sup></td>
</tr>
</tbody>
</table>
<p><em>~ By Ekenyerengozi Michael Chima</em></p>
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		<title>Bruno Chatelin Elected Board Member of European Film Academy</title>
		<link>http://www.supplemagazine.org/bruno-chatelin-elected-board-member-of-european-film-academy.html</link>
		<comments>http://www.supplemagazine.org/bruno-chatelin-elected-board-member-of-european-film-academy.html#comments</comments>
		<pubDate>Tue, 06 Dec 2011 09:26:22 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[
Bruno Chatelin
Bruno Chatelin co-founder of filmfestivals.com and the European media partner of Eko International Film Festival has been  elected a member of the prestigious board of the European Film Academy (EFA). The announcement of the new board was made by the 2,500 members at the 24th European Film Awards in Berlin on December 3, [...]]]></description>
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<strong>Bruno Chatelin</strong></p>
<p>Bruno Chatelin co-founder of filmfestivals.com and the European media partner of <a href="http://www.ekoiff.com/team.htm">Eko International Film Festival</a> has been <a href="http://www.fest21.com/en/blog/editor/bruno_chatelin_elected_at_the_european_film_academy_board"> elected a member of the prestigious board</a> of the <a href="http://www.europeanfilmacademy.org/">European Film Academy</a> (EFA). The announcement of the new board was made by the 2,500 members at the 24th European Film Awards in Berlin on December 3, 2011, where Yves Marmion was reelected as the Chairman of the board. </p>
<p>Bruno Chatelin recognized as a leading authority in the motion pictures industry is the former Managing Director of UGC Twentieth Century Fox France, previously with Columbia TriStar Films, France. In 1995, he initiated and managed the joint venture between French major UGC and FOX and led it to the leading position in the French market. Mr. Chatelin brings experience in promotional strategies for interactive media. He has created two commercial websites for small-business entrepreneurs (individuals working from home, or companies with fewer than 10 people). He holds an MBA from HEC (École des hautes études commerciales). He is a voting member for Cesar academy, European Film Academy and co chair of Hollywood European Awards. He has served in several film festival juries. </p>
<p><strong>About the European Film Academy</strong><br />
The creation of the European Film Academy (EFA) was the initiative of a group of Europe’s finest filmmakers brought together on the occasion of the first European Film Awards Ceremony held in November 1988. EFA was finally founded in 1989 as the European Cinema Society by its first president Ingmar Bergman and 40 filmmakers to advance the interests of the European film industry. Wim Wenders was elected as first chairman of the association which two years later was renamed European Film Academy. In 1996, he followed Ingmar Bergman as president of the EFA while British producer Nik Powell was elected as chairman of the EFA Board. He was followed by French producer Humbert Balsan who was chairman from 2003 until his sudden death in 2005. Current EFA Chairman is French producer Yves Marmion. </p>
<p>The European Film Academy (EFA) now unites more than 2,500 European film professionals with the common aim of promoting European film culture. Throughout the year, the EFA initiates and participates in a series of activities dealing with film politics as well as economic, artistic, and training aspects. The programme includes conferences, seminars and workshops, and a common goal is to build a bridge between creativity and the industry. These activities culminate in the annual presentation of the European Film Awards. </p>
<p><em>~ By Ekenyerengozi Michael Chima</em></p>
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		<title>Genevieve Nnaji on the Red Carpet of 2011 AFRIFF International Film Festival</title>
		<link>http://www.supplemagazine.org/genevieve-nnaji-on-the-red-carpet-of-2011-afriff-international-film-festival.html</link>
		<comments>http://www.supplemagazine.org/genevieve-nnaji-on-the-red-carpet-of-2011-afriff-international-film-festival.html#comments</comments>
		<pubDate>Sun, 04 Dec 2011 12:40:10 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Competitions]]></category>
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		<category><![CDATA[Film Festivals]]></category>
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		<description><![CDATA[
The Queen of Nollywood Genevieve Nnaji and Chioma Ude, Founder/Project Director of AFRIFF on the Red Carpet of 2011 AFRIFF International Film Festival at the Oriental Hotel on Victoria Island, Lagos, on Saturday night of December 3, 2011.

 © Supple Communications Limited. All Rights Reserved. No part of these materials should be duplicated or reproduced [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.supplemagazine.org/wp-content/uploads/Genevieve-Nnaji-and-Chioma-Ude-2011.JPG" alt="Genevieve Nnaji and Chioma Ude 2011" title="Genevieve Nnaji and Chioma Ude 2011" width="620" height="829" class="aligncenter size-full wp-image-1904" /></p>
<p>The Queen of Nollywood Genevieve Nnaji and Chioma Ude, Founder/Project Director of AFRIFF on the Red Carpet of 2011 <a href="http://www.africafilmfest.org/">AFRIFF International Film Festival</a> at the Oriental Hotel on Victoria Island, Lagos, on Saturday night of December 3, 2011.</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Genvieve-2.JPG" alt="Genvieve 2" title="Genvieve 2" width="620" height="831" class="aligncenter size-full wp-image-1905" /></p>
<p><strong> © Supple Communications Limited. All Rights Reserved. No part of these materials should be duplicated or reproduced in any form of media without the permission of the copyright owners and publishers. </strong></p>
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		<title>Select and Submit Your Films To Film Festivals</title>
		<link>http://www.supplemagazine.org/select-and-submit-your-films-to-film-festivals.html</link>
		<comments>http://www.supplemagazine.org/select-and-submit-your-films-to-film-festivals.html#comments</comments>
		<pubDate>Tue, 15 Nov 2011 10:44:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[
Select and Submit Your Films To Film Festivals
Supple magazine has provided the Film Festivals Database for filmmakers to select and submit their films to any of the listed international film festivals calling for entries from January to December.
Check and see where you can participate and compete for the various screenings in and out of competition [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-1898" title="dubai-international-film-festival" src="http://www.supplemagazine.org/wp-content/uploads/dubai-international-film-festival.jpg" alt="dubai-international-film-festival" width="621" height="780" /></p>
<p>Select and Submit Your Films To Film Festivals</p>
<p>Supple magazine has provided the <a href="http://www.supplemagazine.org/film-festivals-and-events-worldwide">Film Festivals Database</a> for filmmakers to select and submit their films to any of the listed international film festivals calling for entries from January to December.</p>
<p>Check and see where you can participate and compete for the various screenings in and out of competition before the closing dates.</p>
<p>Click on the link http://www.supplemagazine.org/film-festivals-and-events-worldwide for more details.</p>
<p><img src="http://www.supplemagazine.org/wp-content/uploads/Dubai-11.jpg" alt="Dubai 1" title="Dubai 1" width="620" height="400" class="aligncenter size-full wp-image-1901" /></p>
<div><img src="http://www.dubaifilmfest.com/diff/en/images/why_diff.jpg" alt="Why DIFF? Here's Why" width="458" height="48" /></p>
<div><img src="http://www.dubaifilmfest.com/diff/en/images/why_1.jpg" alt="1" width="29" height="40" /></p>
<div>DIFF is the only comprehensive film market,  covering the business from script to screen in the Arab world.</div>
</div>
<div><img src="http://www.dubaifilmfest.com/diff/en/images/why_2.jpg" alt="1" width="29" height="40" /></p>
<div>The opportunity to meet, discuss and  collaborate with scriptwriters, directors, producers and key industry  professionals.</div>
</div>
<div><img src="http://www.dubaifilmfest.com/diff/en/images/why_3.jpg" alt="1" width="29" height="40" /></p>
<div>You&#8217;ll see unique content from the Middle East, Asia and Africa.</div>
</div>
<div><img src="http://www.dubaifilmfest.com/diff/en/images/why_4.jpg" alt="1" width="29" height="40" /></p>
<div>Last year&#8217;s event hosted over 2,000 delegates from over 50 countries.</div>
</div>
<div><img src="http://www.dubaifilmfest.com/diff/en/images/why_5.jpg" alt="1" width="29" height="40" /></p>
<div>The DIFF / Emirates Holidays partnership has made the planning all the more stress free!</div>
</div>
<p><a href="http://www.dubaifilmfest.com/index.php/en/dubai_film_market/accreditation/"><img src="http://www.dubaifilmfest.com/diff/en/images/why_register.jpg" border="0" alt="register" width="458" height="31" /></a></div>
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