James Cameron is still shooting Avatar 2 He always one to push the boundaries of technology in film, has also implemented a clever trick to stop light reflecting off the water and affecting scenes and also he is filming with underwater technology
Avatar 2 is still set for release on December 17, 2021, while Cameron is also shooting the later sequels simultaneously. Avatar 3 is out on December 22, 2022; Avatar 4 on December 19, 2025 and Avatar 5 finally hits theaters when we’re old and grey on December 17, 2027.
Truth Will Prevail.
Truth Starting to Unravel.
Have an Open Mind as You Watch This Clip.
Wickedness and Greed of Man Knows no Bounds.
Just Watch and Deduce What You Want.
Judy Anne Mikovits is an American health activist and former medical researcher. She has made claims about vaccines, coronavirus, and chronic fatigue syndrome.
Mikovits was awarded a Bachelor of Science degree in Chemistry with a specialization in biology at the University of Virginia in 1980. After graduation she went to the National Cancer Institute in Frederick, Maryland where she developed purification methods for Interferon alpha. In 1986–1987, she started working at Upjohn Pharmaceuticals in Kalamazoo, Michigan in order to develop production methods to ensure biological materials manufactured using human blood products were free of contamination from HIV-1. In 1992 she completed a joint PhD program in Biochemistry and Molecular Biology at George Washington University.[10] Her PhD thesis was titled “Negative Regulation of HIV Expression in Monocytes.” Mikovits was a postdoctoral scholar in molecular virology at the Laboratory of Genomic Diversity, National Cancer Institute under Dr. David Derse.
The Faculty of Arts, Federal University of Lafia in
collaboration with the National Film and Video Censors Board (NFVCB) invites
scholars of Film to submit articles for consideration in a book proposed with
the above title.
Film in Nigeria has developed a characteristic of being a
private sector driven innovating industry. It does not lack heroes /heroines
nor does it stay fixated with classics. It is within such a quickly evolving
environment that the need for the study of regulatory mechanisms like censorship
becomes apparent. The NFVCB was established as a regulatory body and has grown
in its activities alongside the fledgling Nigerian film industry. From a
concentric role of classifying films, the Board has had to grapple with
developments in technology and global trends in the film industry. The notion
of classification and censorship has in recent times been challenged by
Internet based film technology. These are defining moments for film
practitioners, regulators, economists and scholars.
The objective of the book project is to broaden the
enlightenment on and interrogate the concept, operation and issues in film
regulatory practice. The potential audience include film practitioners,
regulators, scholars, media practitioners, lecturers and students of film.
Writers may, in a broad sense, consider these different aspects
of film, film regulation and industry developments but are not limited to the
following themes:
● Philosophical questions around the concept of film censorship
● Historical issues of Censorship of the Film industry in
Nigeria
● Creativity, film and censorship
● Film censorship and conflict of interests
● technological innovation and the concept of censorship
● Cultural issues in film censorship
● Nollywood and the global economy
● Film censorship in a digital economy
● Landmarks, major actors and epochs of film censorship in
Nigeria
● Gaps in the regulatory framework for film censorship in
Nigeria
● The role of archiving in film censorship
● Technical issues in Film Censorship
Well-researched and scholarly written articles in APA
referencing style should be prepared in MS-word with double column in double
spaced typed not more than 15 pages in 12 font size of New Times Roman.
The article, which should not have been published or simultaneously submitted for publication elsewhere, is to be forwarded electronically to svdugga@gmail,com on or before 15 th May 2020.
Each article should be preceded by a concise title and an abstract of not more than 250 words followed by at most five keywords. Contributors should indicate boldly their names, place of work / institution of affiliation, academic qualifications, phone numbers and e-mail addresses.
Each contributor to the book shall receive two copies free of charge. However, more copies (up to twenty copies) can be obtained subsequently at request by any contributor at half the price.
I understand it has been a challenging period for us as a nation with the advent of the Corona virus disease pandemic, and I encourage you to keep the spirit high and take all necessary precautions as advised and directed by relevant government bodies and agencies. I would like to inform you that we are still virtually operational at the Headquarters in Abuja in order to serve your business interest at this critical time. Should you have any finished work for censorship during this period, please follow the steps below:
1. Pay the prescribed fees to the Bank and generate a Remita receipt (RRR)
2. Upload your film/video work to Vimeo or any similar channel, and send us the access password OR send the film/video work to us at verification@nfvcb.gov.ng and copy : adedayo.thomas@gmail.com
3. Attach the Remita receipt and your email address to be used for our feedback when doing No. 2 above.
4. Call Maureen at 07053453291 for Certificate confirmation and other inquiries. It is our hope that everything will return to normalcy soon and a quick and lasting way to contain the spread of the virus will be discovered soon. Till then, please stay home and stay safe.
At this time of global health crisis, our thoughts go to the victims of the COVID-19 and we express our solidarity with all of those who are fighting the disease.
We have made
the following decision : The Festival de Cannes cannot be held on the scheduled
dates, from May 12 to 23. Several options are considered in order to preserve
its running, the main one being a simple postponement, in Cannes, until the end
of June-beginning of July, 2020.
As soon as
the development of the French and international health situation will allow us
to assess the real possibility, we will make our decision known, in accordance
with our ongoing consultation with the French Government and Cannes City Hall
as well as with the Festival’s Board Members, Film industry professionals and
all the partners of the event.
In the
meantime, the Festival de Cannes lends its vocal support to all of those who
firmly call on everyone to respect the general lockdown, and ask to show
solidarity in these difficult times for the entire world.
The Festival De France is reserved to film industry professionals. Every participant must be granted accreditation to take part in the festival.Profesional accreditation are granted by professional categories.
Journalists, the press accreditation guidelines are available on
our press area
Find out more about Marché badge on the Marché Du Film website.
The “Trois j and our a Cannes/Three days in Cannes” Pass, reserve
for cinemas lovers age between the age of 18 and 24!
While the 72nd edition was hailed as a great artistic triumph, the
crowds of participants also ensured it was a success in terms of attendance. 39,700
professionals from 170 countries flocked to this
great gathering of film lovers in 2019, the largest number of accreditations
ever issued. Among them, some 30 film professions and nearly 4,400
journalists and media technicians attended the previews and screenings
of the 57 films in the Official Selection, from 35
production countries.
Meanwhile, at the Marché du Film, 12,527 participants (distributors,
sales agents, producers, exhibitors, festival organisers, etc), came together
to discover 4,000 films & projects and enjoy 1,464
screenings, as well as the various programmes and innovations offered by
this key industry event, which celebrated its 60th anniversary in 2019.
At the Village international, where the return of
Poland and Japan were greeted with great enthusiasm, 96 countries were
represented and, for the first time, 2 pavilions housed the representatives of
more than 25 African countries.
Finally, in 2019, the Festival also continued its policy of opening
up to the main public with “Cannes Cinéphiles”,
and in particular to the younger generation with the success of “3
Days in Cannes”. Through these initiatives, which will be repeated in
2020, the Festival’s many cinemas played host to over 7,000 film buffs.
Consult the registration modalities according to your
category and apply for accreditation online.
