Uti of Nigeria Wins $200, 000 Big Brother All Stars Top Prize

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Nigeria’s Uti was chosen by Africa as the winner of M-Net’s Big Brother All Stars during Sunday night’s spectacular live Finale Show (17 October at 19:00 CAT on DStv Channel 198) after 91 gruelling days. He beat Zimbabwe ’s Munya by 8 countries to 7 to scoop the massive US$200 000 prize, outlasting the 13 other All Star Housemates over three months.

When the evening began, there were 5 housemates in with a chance of claiming the continent’s biggest reality show prize – Lerato, Munya, Mwisho, Sheila and Uti but they were evicted one-by-one, leaving Uti alone in the House.

Presenter IK kicked off the show by joining the remaining Housemates in the lounge and quizzing them about their feelings about having made it this far in the game.

Nigeria’s Maye Hunta then took to the stage and blew the continent away with a high-energy performance of the official Big Brother All Stars Anthem, African Star.

IK then brought the 9 previously evicted housemates up on stage one by one, sharing a quick joke with each. He quizzed Yacob about how life had been outside the house, since he had asked to leave. “Freedom!” exclaimed the Ethiopian. ”You can do whatever you want, go wherever you want. The support and the love you get from the people!”

IK then asked Meryl to make a choice. “You didn’t win the money, but you got yourself a man. If you had to choose, US$200 00 or the man – what would it be? Be honest!” “As much as I love paper, I love my man!” she replied.

Then it was time to get down to business as the Alexander Forbes representative delivered the verified results to the stage, to evict the first Housemate of the evening. “Welcome to All Stars News – Big Brother has decided to give US$200 000 to charity, and all housemates will be evicted,” joked IK as he took viewers inside the House. “The first Housemate of our final 5 leaving the All Stars house is…Sheila, you’ve been evicted,” he said. “See you just now,” said the Kenyan as she departed for the final time.

She joined IK on stage and he quizzed her about how it felt to have stayed in the game for so long.

“I must say, it was hectic, especially in the last week, because you get closer to the money and as you can see I’m out here, but we had so much fun! I’m going to savour every one of the 91 days,” she told him.

“What are you going to do next?” he asked. “A lot! A whole lot. Travelling to most of the countries and having a lot of fun,” the Kenyan replied before joining the other 9 evicted Housemates.

Wasting no time, IK immediately set about evicting another Housemate. “The second Housemate leaving the Big Brother All Stars House tonight is… Mwisho you’ve been evicted!” He said goodbye to Munya, Lerato and Uti and joined IK on stage.

“We’re curious about your plans – forgive me, we’re going to pry a bit here. Is she (Meryl) going to move to your country or are you going to move to her country?” asked IK of the newly-engaged Tanzanian. “We’re gonna be the continent!” said Mwisho, glancing over at a teary Meryl.

“You’re one of those who made it to the end of the game without anyone discovering your secret, so you don’t leave empty handed. Are you ready to tell your housemates your secret?” asked IK. “I’ve forgotten it!” said the distracted Tanzanian, anxious to get across to his bride-to-be. Eventually IK had to reveal Mwisho’s secret for him. “His secret was he was two-timing, dating two popular Tanzanian women at the same time. Your girl’s waiting – why don’t you go hug her!”

Superstar Nigerian rapper MI took to the stage next to perform “Anotyi” before IK reminded viewers of some of the highlights which had taken place in the House – with so much money up for grabs and a group of competitive contestants, things were bound to get hairy from time to time!

Next up – another eviction…

After accepting the envelope from the Alexander Forbes representative, it was time to go back into the House. “Lerato, how do you feel right now?” asked IK “I’m shaken up IK, it’s a very scary position. My heart is beating at super speed – I’m a little nauseous,” she said.

“Munya how do you feel?” he asked. “My man, inside I’m going like this (shaking) all the time, it’s nerve-wracking, my man,” said the Zimbabwean. “Uti?” asked IK. “So many, things, I’m just thinking,” he told his fellow Nigerian.

“It’s time to tell you what the people have decided. The third Housemate leaving the final five on Big Brother All Stars is… My girl Lerato, you have been evicted,” he told them.

As the South African emerged on stage, he asked her about her relationship with Yacob. “I didn’t ask you this the last time because we weren’t sure about this, but let me jump right into your business Lerato. In the Barn you and a certain someone had fights and interesting conversations and happenings. One minute you were fighting, the next… What’s going on between you and Yacob?” “I see him over there and he’s looking mighty mighty mighty fine,” she said. “How good is the friendship? Anything like the Mwisho and Meryl thing?” asked IK.

“No, no, no, we’re very good friends, nothing but love. Love all the time,” the South African assured him. “Now that you’re out of the House, do you think there’s anything you would have changed or are you just happy with how you played the game?” “No there’s nothing I could have done differently,” she said. “I had nothing but fun, firstly to make it to the Top 3 is insane, to be the first South African to make it that far. To be the last woman!”

While the continent digested the news that Uti and Munya were just one step away from the US$200 000 grand prize, three quickfire performances brought the audience to fever pitch – first, Kenyan star Wyre took to the stage and performed his smash hit “She Said That”, before Nigeria’s 2Face performed “Implication” and DJ Black Coffee and Tumelo rocked the stage with “Release Your Soul”.

With the continent waiting with bated breath, IK took viewers into the house to reveal the winner of Big Brother All Stars. “This season has been just about the closest season ever – and the biggest season ever. Just last week alone, we had more votes than we’ve ever had on the show before. Last year was around 700 000, this year, over a million people have voted. People must really love you guys in the house!” he told Uti and Munya.

“The margin between the winner and the first runner up was so slim. In the end, it was 8 countries to 7 countries, but alas there can be only one.

The winner of Big Brother All Stars, with 8 countries behind him, is…Uti you’re the winner, Munya you’ve been evicted!” Uti leapt from the couch while Munya sat stunned with his hands behind his head, before congratulating his Housemate.

When he emerged on stage to a raucous reception, IK tackled him on the method behind his longevity in the House: “Dude, you are a survivor. If there was ever a story of survival, it’s definitely yours. You were up just about every week for eviction! What was your strategy?”

“My strategy was just to do better than I did the last time and I succeeded in that, and I’m really happy,” said the Zimbabwean.

“I know this is not the last we’ll be seeing of you – what are you going to be doing next?” asked IK. “I’ve just shot my movie, so I’m trying to get my movie onto the big screen so that people can see more of me. I belong on TV, I live here, you know?” said Munya with that ever-present smile.

Then it was Uti’s turn to emerge…

Dancing his way through the fireworks in the garden and jiving onto stage, he was greeted by a wall of sound as the continent paid tribute to the ultimate All Star. He wasn’t going to get off without revealing his secret, though, as every evicted Housemate has to let the other Housemates know their secret.

“You managed to keep your secret til the very end, so you keep your US$1000 as well – tell us what it was,” said IK. “My secret is, when I was a teenager, I had a teenage crush on Britney Spears,” he revealed.

“Being the winner of Big Brother All Stars and having kept your secret, you leave with US$201 000, which probably makes you the richest guy in this room!” said IK. “I’m going to ask you to shut down the Big Brother House. Count down from 10 to 0…”

As Uti counted, the lights in the house switched off and the cameras faded to grey, signalling the end of the continent’s popular show and hailing the latest Big Brother winner.

For the final time, viewers stood a chance of winning one of 4 great prizes – just for voting for their favourite. The winners this week were: US$ 1000 – Anne Nwokoro (Nigeria), HD PVR Decoder – Tebogo Mangabi (Botswana), Nokia C3 Handset – Lijeng Ranwoe (Lesotho), Nokia N8 Handset – Keamogetswe Pitoli (Botswana).

Ends.

18th Raindance Film Festival Awards

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2010 Festival Awards

To recognise the outstanding achievements of the filmmakers showcased at the 18th Raindance Film Festival in 2010, a number of jury prizes will be awarded. The winners will be announced before the screening of the Closing Night Film on Sunday 10 October.

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BEST INTERNATIONAL FEATURE

Donoma – FRANCE

Donoma

Son of Babylon – IRAQ [winner]

Symbol – JAPAN

Woman With A Broken Nose – SERBIA

BEST UK FEATURE

Five Daughters [winner]

Huge

Jackboots on Whitehall

Legacy

Rebels Without A Clue

BEST DEBUT FEATURE

Armless – USA

Cannibal– BELGIUM

Donoma – FRANCE

Huge – UK

Robert Mitchum Is Dead – FRANCE

The Story Of My Space [Vidrimasgor] – RUSSIA [winner]

BEST DOCUMENTARY

Camp Victory, Afghanistan USA

Rouge Ciel – FRANCE

Sounds Like A Revolution – CANADA [winner]

Stolen – AUSTRALIA

There Once Was An Island – USA/NZ [winner]

This Way of Life – NZ

BEST MICRO BUDGET FEATURE

Armless – USA

Flooding With Love For The Kid USA

Incredibly Small – USA

Lovers of Hate – USA

Macho – MEXICO [winner]

BEST UK SHORTS

Dust

The Golden Boy

Natural Selection

Storage

Stanley Pickle [winner]

Watching

BEST INTERNATIONAL SHORTS

Fly GERMANY/POLAND

Happiness Is Hate Therapy CANADA

I Am A Fat Cat USA

LIN UK [winner]

Moustachette USA

Still CYPRUS

DISTRIBUTION AWARD

The feature selected for theatrical distribution in the UK in March 2010 courtesy of the Apollo Cinema chain.

FILM OF THE FESTIVAL [SHORT]

For the sixth year running we are very excited to announce the Film of the Festival Award. This year’s award is supported by the Independent Film Trust and the winner will make next year’s cinema advert.

I Am A Fat Cat USA

Raindance Film Festival Nominations 2010

Uniting Filmmakers from Across the World on African Soil

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As part of its core developmental activities that will have a tangible impact on young Nigerian talent in the film-making industry, the Africa International Film Festival (AFRIFF), is organizing a Screen Writing Lab to develop great story ideas From Script to Screen. From the Lab, AFRIFF will select 10 to 20 Short scripts to put through an advisory board for detailed analysis and feedback sessions, enabling writers to gain intensive support in the techniques of developing a visual story. Ultimately, instructors will select 3 to 5 projects to be awarded with a monetary prize towards the production and realization of the film. The aim is to develop story ideas that can be realized into world standard productions.

The National Film School’s Head of Academic Planning, Mr. Edward Ossai, emphasized the need for a screen-writing lab to educate practicing scriptwriters and new entrants on the art and business of scriptwriting. He added that the lab is very timely because the script is the basis for any film production, affirming that some of the major challenges in Nollywood movies today include poor scripting and storytelling techniques.

Professor Femi Okiremuette Shaka, of the University of Port-Harcourt, described the forthcoming Screen-writing Lab as a laudable project in capacity building for aspiring screenwriters for Nollywood.
He applauded the project as yet another opportunity being offered to Nigerian youths, especially those of the Niger Delta, to shun crime and social unrest, and challenge their reservoir of creativity in order to become relevant to the flourishing entertainment industry and the job-creating machine known as Nollywood.

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The first Africa International Film Festival (AFRIFF), themed “Africa Unites” is a platform that will bring together both local and international film makers, celebrities, actors, irectors, film buyers, distributors, visual artists, film students, amateurs, film lovers and the media to showcase Africa’s motion picture achievements. It will hold from the 1st to the 5th of December, 2010, in Port Harcourt, the Rivers State capital which is increasingly gaining status as a centre for arts and culture.

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Communications Consultant for AFRIFF, Celine Loader, said, “The heartbeat of youth culture is in Arts & Entertainment, with the film making industry as its driver. We have the potential to create tens of thousands of jobs in the industry if only we can close the huge skills gap that exist and build technical capacity, particularly among students and young graduates.”

Loader further disclosed that AFRIFF is gaining international awareness, including an advertorial in the influential Hollywood Reporter at the recently concluded Toronto Film Festival.

About AFRIFF:
Founded in 2009, the Africa International Film Festival (AFRIFF) has a vision to create a platform for the world to zoom in on the diversity and creativity of Africa through motion pictures. Starting December 2010, in the tradition of the likes of the Cannes Film Festival and the Toronto International Film Festival, AFRIFF will unite film makers from across the world on the African soil. It will hold yearly in Port Harcourt, Rivers State, Nigeria hosting both local and international film-makers, celebrities, actors, directors, film buyers, distributors, visual artists, film students, amateurs, film lovers and the media.

AFRIFF will launch the unique Film & Equipment Market, which will grow content and equipment trade out of Africa and foster partnerships.

Tony Curtis (June 3, 1925 – September 29, 2010)

Some Like It Hot tells the story of two struggling musicians, Joe and Jerry (Curtis and Lemmon), who are on the run from a Chicago gang after witnessing the Saint Valentine’s Day massacre of 1929. Spats Columbo (Raft), the gangster in charge, orders the execution of Jerry and Joe. They escape in the confusion and decide to leave town, but the only out-of-town job they can find is in an all-girl band. The two disguise themselves as women and call themselves Josephine and Geraldine (later Jerry changes it to Daphne). They join the band and go to Florida by train. Joe and Jerry both fall for “Sugar Kane” Kowalczyk (Monroe), the band’s sexy Polish-American vocalist and ukulele player, and fight for her affection while maintaining their disguises.

Director: Billy Wilder
Writer: Billy Wilder
Studio: MGM
Cast: Marilyn Monroe, Tony Curtis, Jack Lemmon

Release: March 29, 1959.

The Unforgettable Tony Curtis

TONY CURTIS
Tony Curtis (June 3, 1925 – September 29, 2010)

Most people in Nigeria knew Tony Curtis from the two romantic adventurers of 1970s British TV series “The Persuaders” he played alongside Roger Moore of the James Bond 007 fame. And I also remember him in the 1958 classic film “The Defiant Ones” as a bigoted escaped convict chained to Sidney Poitier the most celebrated African American actor and that got him an Oscar nomination for Best Actor. Acting with the legendary Hollywood sex symbol Marilyn Monroe made Tony Curtis one of the most sought after male sex symbols in Hollywood.

Curtis was born Bernard Schwartz in the Bronx, New York, to Hungarian Jewish immigrants from Mátészalka, Hungary. He joined the US Navy during World War 2 and served aboard USS Proteus.

His film career took off in 1949 when he acted the role of a rumba dancer in “Criss Cross”.
Curtis acted over 108 films and many TV roles. He was one of the shining icons of the silver screen in the Golden Age of Hollywood with Kirk Douglas, Paul Newman and Steve McQueen among other stars.

Curtis died of cardiac arrest on Thursday September 29, 2010, at his Home in Henderson, Nevada.

The Daily Mirror of UK called Tony Curtis the Elvis of Tinsel Town who brought “grease and danger of the new music to Hollywood” and “getting the girls to swoon and the boys to spend hours in front of the mirror, trying to get that peacock’s plume just so.”

“Yet Tony Curtis was always cool. Not just when he was a post-war sex symbol but even in middle age and beyond.
He had been there, done that, slept with Marilyn Monroe and got the T-shirt. He made it all look easy, and fun. Perhaps that is why the critics detested him.
Although he made some of the greatest films in history he made film seem like entertainment, rather than an art form. If there were agonies in him, and if he was riddled with self-doubt, he hid it well.
He was better than he was given credit for, and he was perhaps better than he knew. But he always seemed pleased – with life, with himself, with whatever phenomenal beauty happened to be hanging on his arms. He always looked as though he knew he could have got stuck in the Bronx for 85 years.
~ Daily Mirror, October 1, 2010.

“My father leaves behind a legacy of great performances in movies and in his paintings and assemblages. He leaves behind children and their families who loved him and respected him and a wife and in-laws who were devoted to him. He also leaves behind fans all over the world. He will be greatly missed.”
~ Jamie Lee Curtis, the daughter

Eat Pray Love makes Julia Roberts Irritating

Christopher Tookey of the Mail Online says Eat Pray Love is pretty awful. No. He is not dismissing the romantic comedy, he means the leading character of Elizabeth Gilbert played by American leading lady of the screen Julia Roberts.

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The Story
While trying to get pregnant, a happily married woman realizes her life needs to go in a different direction, and after a painful divorce, she takes off on a round-the-world journey.

The film is an adaptation of the 2006 memoir “Eat, Pray, Love: One Woman’s Search for Everything Across Italy, India and Indonesia” by American author Elizabeth Gilbert.

eat pray love poster

Eat Pray Love has a poor rating of 38% from 143 reviews so far, but had the highest debut at the box office with Roberts in a lead role since America’s Sweethearts in 2001. Apparently Julia Roberts is the only reason why people should see this movie as she “plays cinema’s most irritating leading lady for years,” said Tookey.

Crew
Directed by Ryan Murphy
Produced by Brad Pitt
Dede Gardner
Jeremy Kleiner
Julia Roberts
Stan Wlodkowski
Tabrez Noorani
Screenplay by Ryan Murphy
Jennifer Salt
Story by Elizabeth Gilbert (novel)
Narrated by Julia Roberts
Starring Julia Roberts
Billy Crudup
James Franco
Javier Bardem
Viola Davis
Richard Jenkins
Christine Hakim
Music by Dario Marianelli
Cinematography Robert Richardson
Editing by Bradley Buecker
Studio Plan B Entertainment
Distributed by Columbia Pictures
Release date(s) August 13, 2010
Running time 134 minutes
Country United States
Language English
Budget $60 million
Gross revenue $81,928,119

Cast

Julia Roberts as Elizabeth Gilbert
Javier Bardem as Felipe, a man Gilbert falls in love with on her journey
Billy Crudup as Steven, Gilbert’s former husband
Richard Jenkins as Richard, a Texan whom Gilbert befriends at an Indian ashram
Viola Davis as Delia, Gilbert’s best friend
James Franco as David
Christine Hakim as Wayan, Gilbert’s best friend in Bali
El Hadji Diouf as Koko, a man Gilbert meets in Senegal.
Hadi Subiyanto as Ketut Liyer, Gilbert’s advisor in Bali
Tuva Novotny as Sofi, Gilbert’s best friend in Rome
Luca Argentero as Giovanni
Giuseppe Gandini as Luca Spaghetti
Rushita Singh as Tulsi, Gilbert’s best friend at the Indian ashram
Anakia Lapae as Tutti, Wayan’s daughter
Arlene Tur as Armenia, Wayan’s best friend

WAITING FOR ‘SUPERMAN’

17 Sep 2010 19:22 Africa/Lagos

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American Airlines Sponsored Los Angeles Premiere of WAITING FOR ‘SUPERMAN’

WHAT: AMERICAN AIRLINES SPONSORED LOS ANGELES PREMIERE OF WAITING
—– FOR “SUPERMAN”

A documentary from Davis Guggenheim and Lesley Chilcott,
filmmakers of “An Inconvenient Truth,” presented by
Paramount Vantage, Participant Media and Walden Media

WHEN: Monday, September 20, 2010
—–
Press Check-in at 6:00p.m.
Red Carpet Arrivals begin at 6:30p.m.
Screening starts promptly at 7:30p.m.

WHERE: PARAMOUNT THEATRE
——
At Paramount Pictures
5555 Melrose Avenue
Hollywood

WHO: Davis Guggenheim (Director), Lesley Chilcott (Producer) and
—- Geoffrey Canada (President & CEO of Harlem Children’s Zone),
Diane Weyerman (EVP Documentary Production at Participant),
Billy Kimball (Writer), Greg Finton (Editor)

Celebrities attending include: Jason Bateman
(Up in the Air), Dane Cook (My Best Friend’s Girl),
Cheryl Hines (Curb Your Enthusiasm), Jason Lee
(My Name is Earl), Kevin Eubanks (Musician), Rob Reiner
(Director), Colleen Camp (Die Hard: With a Vengeance),
Robert Carradine (Lizzie McGuire), Justin Henry
(Kramer vs. Kramer), Timothy Blake (The Bad News Bears),
Crispin Glover, (Hot Tub Time Machine),
Mimi Rogers (The Loop)

ABOUT WAITING FOR “SUPERMAN”
—————————-
From “An Inconvenient Truth” director Davis Guggenheim comes
“Waiting for ‘Superman,” a provocative and cogent examination of
the crisis of public education in the United States told through
multiple interlocking stories-from a handful of students and their
families whose futures hang in the balance, to the educators and
reformers trying to find real and lasting solutions within a
dysfunctional system.

Waiting for ‘Superman’ opens limited (NY/LA) on 9/24 and expands
nationwide in October.

This film has been rated PG for some thematic material, mild
language and incidental smoking.

ALL PRESS MUST BE ACCREDITED TO COVER THE EVENT
———————————————–
For further information, please contact:
Broadcast – Gail Silverman – gail_silverman@paramount.com
Print/Online – Wendy Martino – wendy_martino@paramount.com
Photo – photo_rsvp@paramount.com
——————————–

(Logo: http://photos.prnewswire.com/prnh/19991206/PARLOGO)
(Logo: http://www.newscom.com/cgi-bin/prnh/19991206/PARLOGO)

/PRNewswire — Sept. 17/

Photo: http://www.newscom.com/cgi-bin/prnh/19991206/PARLOGO
AP Archive: http://photoarchive.ap.org/
http://photos.prnewswire.com/prnh/19991206/PARLOGO
PRN Photo Desk, photodesk@prnewswire.com
Source: Paramount Vantage

Official Awards of the 67th Venice Film Festival

Sofia Coppola wins Golden Lion for best Film at 67th Venice Film Festival

The 67th Venice International Film Festival was held from September 1-11, 2010. The news video of the highlights was shown on Supple magazine from the opening ceremony to the closing day.

John Woo the accomplised Asian and Hollywood director was awarded the Golden Lion for Lifetime Achievement.

The following is the complete list of the winners.

Official Awards of the 67th Venice Film Festival

VENEZIA 67
Golden Lion for Best Film:

Somewhere by Sofia Coppola (USA)

Silver Lion for Best Director:
Álex de la Iglesia for the film Balada triste de trompeta (Spain, France)

Special Jury Prize:
Essential Killing by Jerzy Skolimowski (Poland, Norway, Hungary, Ireland)

Coppa Volpi for Best Actor:
Vincent Gallo in the film Essential Killing by Jerzy Skolimowski (Poland, Norway, Hungary, Ireland)

Coppa Volpi for Best Actress:
Ariane Labed in the film Attenberg by Athina Rachel Tsangari (Greece)

Marcello Mastroianni Award for Best Young Actor or Actress:
Mila Kunis in the film Black Swan by Darren Aronofsky (USA)

Osella for Best Cinematography:
Mikhail Krichman for the film Ovsyanki (Silent Souls) by Aleksei Fedorchenko (Russia)

Osella for Best Screenplay:Álex de la Iglesia for the film Balada triste de trompeta by Álex de la Iglesia (Spain, France)

Special Lion: Monte Hellman
‘Monte Hellman is a great cinema artist and minimalistic poet. His work has inspired this jury and it’s our honour to honor him’

ORIZZONTI
Orizzonti Award (full-length films):
Verano de Goliat by Nicolás Pereda (Mexico, Canada)

Orizzonti Special Jury Prize (full-length films):
The Forgotten Space by Nöel Burch and Allan Sekula (Netherlands, Austria)

Orizzonti Award (medium-length films):
Tse (Out) by Roee Rosen (Israel)

Orizzonti Award (short films):
Coming Attractions by Peter Tscherkassky (Austria)

Special Mention:
Jean Gentil by Laura Amelia Guzmán and Israel Cárdenas (Dominican Republic, Mexico, Germany)

The Jury, after viewing the 21 European short films in the Orizzonti competition, has decided the Venice Short Film Nominee for the European Film Awards: The External World by David Oreilly (Germany)

CONTROCAMPO ITALIANO
Controcampo Italiano Award:

20 sigarette by Aureliano Amadei (Italy)

Special Mention: Vinicio Marchioni in the film 20 sigarette

LION OF THE FUTURE – “LUIGI DE LAURENTIIS” VENICE AWARD FOR A DEBUT FILM
Cogunluk (Majority) by SerenYüce(Turkey) – Giornate degli Autori – Venice Days

as well as a prize of 100,000 USD donated by Filmauro di Aurelio e Luigi De Laurentiis to be divided equally between director and producer

PERSOL 3-D AWARD FOR THE MOST CREATIVE 3-D FILM STEREOSCOPIC FILM OF THE YEAR:
Avatar by James Cameron (USA, UK)
How to Train Your Dragon by Chris Sanders and Dean Deblois (USA)

JAEGER-LECOULTRE GLORY TO THE FILMMAKER AWARD 2010:
Mani Ratnam

Premio L’Oréal Paris per il Cinema:
Vittoria Puccini

Golden Lion for Lifetime Achievement
John Woo

67th Venice Film Festival Introduction by Marco Müller
Statistics of the 67th Venice Film Festival
Countries represented at the 67th Venice Film Festival
Ten possible route maps for “Orizzonti”
John Woo, Golden Lion Award for Lifetime Achievement
Tickets and Passes

Claude Chabrol was a Superb Director, a Critical Mind and a Bon Vivant

Claude Chabrol
Photo: GERMANY, Berlin : French director Claude Chabrol pretends to film with his trophy after being awarded the Berlinale Camera prize in 2009.

The Berlinale was deeply saddened to hear of the death of the great French director Claude Chabrol. As one of the founders of the Nouvelle Vague, he ranked among the most celebrated and productive filmmakers of French cinema. He made 71 films over the 50 years of his career.

Nine of his films were presented at the Berlin International Film Festival. In 1959, he first participated in the Berlinale with his second feature film Les cousins (The Cousins), which won the Golden Bear. In more recent years, his entries to the Berlinale Competition included La fleur du mal (The Flower of Evil, 2003) and L’ivresse du pouvoir (A Comedy of Power, 2006). Claude Chabrol was invited to the Berlinale in 2009 to screen Bellamy. On this occasion, he was awarded the Berlinale Camera for his impressive oeuvre and remarkable contribution to film.

bellamy chabrol Photo: A scene from Claude Chabrol’s 58th film “Bellamy”.

Berlinale Director Dieter Kosslick says of Claude Chabrol’s death: “We have lost a superb director, a critical mind and a bon vivant. In his psychological dramas and crime films, he relentlessly cast a critical eye on the bourgeoisie. Claude Chabrol was full of humour, and knew how to mix social criticism with fun and entertainment. Known for being a gourmet, he also attached great importance to excellent cooking for himself and his team when shooting his films.”

Press Office
September 13, 2010

Clarion Chukwurah Calls for legislation for the Unionization of the Nigerian Movie Industry

Clarion ChukwuraClarion Chukwurah

THE UNIONIZATION OF THE NIGERIAN MOVIE INDUSTRY

THE NIGERIAN MOVIE WORKERS’ UNION

MY BRIEF

UNIONIZATION OF THE NIGERIAN MOVIE INDUSTRY
BY: CLARION CHUKWURAH

HISTORY:

The Nigerian film industry, which in the context of this Unionization Bid Press Conference comprise only of Nigerian dramatic film content produced for commerce by independent Nigerian film makers working in Nigeria after independence, began as a celluloid film making industry without any clear cut structure with Wole
Soyinka’s “Kongi’s Harvest”, “Son of Africa” starring Funsho Adeolu, Ola Balogun’s directorial repertoire of, Ade Afolayan’s films, Hubert Ogunde’s films, Moses Olaiya’s films and Francoise Balogun’s Money Power, to Jab Adu’s ‘Bisi, daughter of the River’, Eddie Ugbomah’s films, Afolabi Adesanya’s ‘Vigilante’, and works by other film makers like “Black Goddess”, “The Mask”, “Vendor”, “Blues for a Prodigal” and a few others. A continuity of indigenous stories representative of the then current existing lifestyle and happenings in Nigeria/Black Africa socially and politically. This gradual growth of cinematic artistry was stifled by the economic downturn of Nigeria which put film stock completely out of the reach of the film makers’ financial ability and sent the Nigerian film industry to sleep, creating the vacuum that the present home video industry, the ingenious alternative of the new generation Yoruba and English television Plays, Soap Operas and TV. Movie Directors and Producers of the late 1980s and early 1990s across Southern Nigeria stepped in to fill, still without structure simply providing entertainment on a direct home based commercial sale format as opposed to the Cinema Culture of the Colonialists which replaced our original Village Square THEATRE IN THE ROUND entertainment format.

The present home video industry being a child of circumstance funded by non professionals have defied in twenty years every attempt at structurization that will define it as a colossal private enterprise independent of government, dependent only on itself and necessary Union negotiated bi-lateral trade agreements that will afford it constant smooth interaction on all levels of production and distribution with other Unionized Nations’ film industries throughout Africa and the World.

GOVERNMENT INVOLVEMENT:

In 1979, the Nigerian government set up a Nigerian Film Corporation with its 1979 Act under Brendan Shehu. It thereafter set up the Nigerian Film and Video Census Board. It set up in 1992, a committee to formulate for it a National Film Policy, and in 1996, a National Film Institute.

From 1999 – 2004 as DG/MD of the Nigerian Film Corporation, Dr. Hyginus Ozoemena Ekwuazi, drew up the modalities for the setting up of the Motion Picture Practitioners Council of Nigeria and the various guilds of the Nigerian home video industry and in a paper presented by Mr. Afolabi Adesanya, Managing Director and C.E.O of the Nigerian Film Corporation at the 50th General Assembly of the Broadcasting Organizations of Nigeria (BON), at Lokoja, on Monday 17th, August, 2009, Mr. Afolabi Adesanya said, and I quote, ‘AT THE NIGERIAN FILM CORPORATION, WE ARE PUTTING IN PLACE A REGULATORY COUNCIL KNOWN AS THE MOTION PICTURE COUNCIL OF NIGERIA, (MOPICON) FOR THE FILM INDUSTRY TO ENSURE THAT PRACTITIONERS PLAY BY THE RULES. WHEN ESTABLISHED, MOPICON WOULD SET THE MINIMUM STANDARDS IN PRODUCTION, POST-PRODUCTION AND MARKETING AS WELL AS DISTRIBUTION. AND ALSO TO PUT IN PLACE A MECHANISM THAT WILL ENSURE THE SUSTAINABLE GROWTH AND DEVELOPMENT OF THE FILM INDUSTRY IN NIGERIA .’

Through MOPICON the Nigerian Government is about to create a Government Parastatal through which intends to run the Nigerian film industry as another arm of Government like NTA, FRCN, as just another Broadcasting Network of the Nigerian Government BUT the Nigerian Film industry is a Private concern of Nigerian Film Workers and Owners comprising of learned professionals in the Arts and business men/women investors in the Arts and not a Government concern. The Government infringement so far is borne out of the seeming appearance that Nigerian Professionals in Film making don’t seem to have an idea of what to do in creating a structure for their industry with the externally funded internal conflicts tearing the various guilds and associations apart on a daily basis in the last eight years. This has given rise to my study of the Evolution Process of the American Film Industry which we presently are towing its line, my arrival at the need for UNIONIZATION OF THE NIGERIAN FILM INDUSTRY and consultations with Union leaders like Comrade Sylvester Ejiofor, Comrade Henry Odugala the General Secretary of Radio, Television and the Arts Workers Union who is here present representing himself and Rattawu President, on an immediate affiliation of a NIGERIAN MOVIE WORKERS UNION on the one hand and a NIGERIAN MOVIE OWNERS UNION on the other as a temporary arrangement while these two unions representative of the Nigerian film industry’s true practitioners not teachers, government appointees or employees, seek legislation for separate Unionization after having spent a minimum of three years paying tax through this affiliation to government which would afford the industry the right and credibility to seek and get legislation passed on our behalf by the National Assembly.

WHY WE NEED UNIONIZATION:

‘‘Before Hollywood, There Was Fort Lee…’’ which is to say before sophisticated structural organization, there would always be the years of seeming un-organization which are those years every industry spend in cutting her teeth.

As in other industries, the first organizations in the film industry proper are mostly the craft guilds, associations and benevolent societies created as learning and service organizations meant to maintain high standards of quality within each craft and these are often modeled like in Nigeria from inception as fraternal cliques along ethnic lines but no meaningful growth to the film industry, lifestyle of its practitioners or protection of their work can be gained from this initial style of the non uniform structure backed by law which
enables it to contest broadly in court and get the right amount of reparations in law. Right now, what is operative in the industry are poorly produced content, poorly paid practitioners, low budget/non existent product publicity, limited distribution and a Ghana Union influenced market strategy take over of Nigerian Actors’ jobs in Nigeria by Ghanaian Actors due to lack of a legislation backed structure that protects Nigerian Actors, equally operative, is the bane of movie owners and their hired producers giving the job of professionals to the un-trained at will in the face of Guilds who are powerless to stop this trend for lack of any legislative backing.

Unionization will afford correction of the un-organized image of the Nigerian Film Industry, the present impression to corporate bodies, the ordinary Nigerian, the Nigerian government and interested foreign partners. Unionization will open the door that foreign film industries have been waiting to walk through to interact with Nigerian film workers and owners based on merit, based on choice not reference. Unionization will enable the Nigerian movie workers request their right at any time through dialogue or necessary pressure from the Nigerian movie owners without any government interference because this are two market forces dependent on each other for production. Twice in the past, the Actors and Directors Guilds of Nigeria had called strikes because members wanted improved working terms, these strikes failed because they are registered only as associations, and not representative of all Movie Actors And Directors in Nigeria. The present coalition of guilds is still not representative of all movie makers in Nigeria neither can any one umbrella body represent workers and owners i.e. employees and employers without creating constant conflicts of interest.

Workers and Owners, have to belong to two separate unions on each side of a clear cut divide to actualize the industry as the money spinning machine it is being touted to be (by the UNDP Statistics? so called third or is it second largest in the World Film Industry) for its practitioners and government without resorting to government funding but legitimately request that 50% of the earnings of the Nigerian Film and Video Census Board from practitioners from inception to date be given back as Grant to fund the industry’s Unionization
costs, and henceforth be annually recycled into the funding of a piracy management task force under the Union run by industry players who are so trained for that purpose and union staff salaries. Unionization will also create the earning power for star actors to afford agents, entertainment lawyers and other relevant associate workers enabling the industry to take its proper form and shape. Unionization will separate the men from the boys and the women from the girls in the movie owners union with the right investment which will give each owner the proper motivation not just to make his/her money back but to run away with his/her profit.

What the Nigerian film industry needs are two unions representative, one; of the workers who are employed film makers as a Nigerian Movie Workers Union, two; the Nigerian Movie Owners Union representative of the Executive Producers who are owners therefore employers in the industry.

NIGERIAN MOVIE WORKERS: DEFINITION

There are industry definitions of the various employments of the film making personnel because these are not civil service jobs and so not carefully delineated, sometimes one title covers a number of different kinds of
responsibilities depending on the way a Producer, Director or Film Company defines the position. For instance, a gaffer can double as an electrician and/or a location scout and sometimes jobs overlap as in the case of an Art Director who is also the production designer but whatever the title or designation, a movie worker in the context of this presentation and Unionization is anyone who inputs non financially into the process of the final end product film content and therefore call the film their Artistic Investment.

NIGERIAN MOVIE OWNERS: DEFINITION

A producer in the existing Nigerian context is sometimes also the Executive Producer. In the context of this presentation and Unionization, a movie owner comprises of all persons/company who input financially into the production process that result in the end product that is the film content and therefore call the film their Financial Investment.

UNIONIZATION

I, as Clarion Chukwurah, a 31year veteran of dramatic arts in Nigeria, a career that has spanned the Nigerian stage theatre from 1979, television from the days of NTV in 1979 to NTA, to Celluloid Film, to the present Home Video Industry, and having represented my Country internationally severally as a Dramatist, and won Gold for Nigeria as an actress in South America, and having been consistently encouraged and assured of support by notable Nigerians in Nigeria and in the diaspora to come forward with a solution for structuring NOLLYWOOD, I have come forward with this call to Unionize the Nigerian Film Industry which consist of players from Northern Nigeria, Eastern Nigeria, Western Nigeria, the Niger Delta and the Middle Belt, asking that all representative bodies of the workers and owners of this industry from these sections of the Country send
stakeholders to a one week retreat at Akodo Resort in Lagos to brainstorm and work out the modalities for the Unionization of the Nigerian Film Industry right across Nigeria into two unions: The Nigerian Movie Workers Union and the Nigerian Movie Owners Union.

Each of these unions would be empowered to seek legislation to protect its work and members by paying tax to government. A movie workers union backed by legislation will ensure that no non union member works on any Nigerian film set, the union will ensure that only professionals work in the industry, the union will ensure that movie workers are paid nothing below the agreed fees, the union would provide a platform to look at, discuss and agree on the issues of royalties, so also will the union provide a platform for workers to pay tax to
the Nigerian government. And with this in place a movie owner will need to have the right budget to pay for the right equipment that a professional film maker require to produce the right quality of content, a movie owner will need to have the right budget to pay practitioners and by this the Nigerian film industry will no longer be an all comers affair where any happenstance can just jump into the fray and decide to produce a movie. Because, to produce a movie you will now need to belong to the movie owners union, or employ a producer from the workers union and produce by both the set rules of the workers union on the one side and
the owners union on the other side.

The quality of content will mirror the true quality of talent that this country has, workers will take their time to produce the right content and owners by virtue of the investment in each film will have the proper publicity and marketing network/budget that every film company should have to input into the distribution of each film in order to exhaustively tap profit from the sprawling market available in Nigeria and outside Nigeria.

I have consulted widely with my colleagues across the country in this Unionization Bid like Ms Zainab Ahmad, a notable Northern Film Producer, Mr. Madu Chikwendu, Regional Secretary of the Pan African Federation of Film Makers, Mr. Ebun Oloyede, of ANTP Lagos/Ogun State, Actors across the various sections of thecountry,some Guild Heads, and others. Therefore, I am also by this forum calling on GLOBACOM PLC, the communication giant which has most visibly identified with the Nigerian movie industry by Branding it’s products with Nigerian Movie Workers, to come forward and BRAND THIS HISTORICAL SEVEN DAY SUMMIT OF ONE HUNDRED STAKEHOLDERS of the Nigerian Film Industry at the Akodo Resort, Lagos, in my bid to bring all the representative bodies under one single umbrella that will represent our industry to the world and place us in a
position of strength in law as a private sector industry.

Come and See Films From Wallonia Brussels @ Toronto 2010

tiff-films-call-to-action

Fantastic films from Wallonia Brussels will be showing at the 35th Toronto International Film Festival. They are among the 300 films to be screened at the celebrated film festival from September 9-19 in Canada.

A must see is the world premiere of Djo Tunda Wa Munga”s VIVA RIVA!

BLACK OCEAN
Three young boys aboard a French naval vessel in 1974, unaware of the risks they run and the dramatic effects on our planet, take part in the nuclear tests in Mururoa, in the Pacific.
A raw acerbic story about the relation- ships of the men on board, confronted with discipline, violence, occasionally friendship but most of all by a solitude and distress that cannot be shared and is much too heavy to bear when one is only 18.
prod: Man’s Films
sales: Doc & Film screenings
09/12 07:15pm Scotiabank 4
09/16 03:00pm AMC 3
09/19 08:15pm Scotiabank 3

VIVA RIVA
Riva is an operator, a man with charm and ambition in equal measure. Kinshasa is an inviting place. With petrol in short supply in DRC’s capital, he and his sidekick pursue a plot to get hold of a secret cache – barrels of fuel they can sell for a huge profit. Of course they’re not the only ones who want the stuff.
prod: M G Productions
sales: Rezo Films screenings
09/10 06:30pm AMC 7
09/11 04:00pm AMC 9
09/18 09:15pm AMC 7

SAMMY'S ADVENTURES
A sea turtle who was hatched in 1959 spends the next 50 years traveling the world while it is being changed by global warming.
prod: nWave Pictures
sales: Studio Canal screenings
09/11 12:15pm AMC 7
09/18 03:00pm Scotiabank 4
09/19 12:45pm Scotiabank 4

22
’22nd of May’ depicts the various victims of a suicide bombing. Sam, a rather dreary-looking 40 year old,
works as a security guard at a shopping mall. His life is plunged into turmoil the day a young man carrying a backpack blows himself up in the mall. Fear, frustration and guilt are the central themes of this story.
coprod: Ryva Productio
sales: Epidemic screenings
09/13 06:45pm AMC 7
09/14 07:00pm AMC7
09/18 03:00pm AMC10

THE DITCH
At the end of the 1950s, the Chinese government condemned thousands of citizens – considered ‘right wing dissidents’ due their past activities, criticisms of the Communist Party or simply their middle-class backgrounds and families – to forced labour camps.
coprod: Entre Chien et Loup
sales: Wild Bunch screenings
09/15 08:00pm AMC 10
09/16 02:15pm AMC 10

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A high class prostitute and an eminent psychoanalyst discover that they share many things in common. They are both unhappy with their professions, seeking a way out that involves unique contact with each other’s worlds.
coprod: Artémis Productions
sales: Films Boutique screenings
09/14 06:00pm Visa Screening
09/18 09:00am Tiff Bell LB 1
09/19 06:45pm Scotiabank 4

THE SCREAMING MAN
Adam, sixty something, a former swimming champion, is pool attendant at a smart N’Djamena hotel. When the hotel gets taken over by new Chinese owners, he is forced to give up his job to his son Abdel. Terribly resentful, he feels socially humiliated.
coprod: Entre Chien et Loup
sales: Pyramide International screenings
09/15 06:15pm Tiff Bell LB 2
09/16 04:45pm Isabel Bader
09/19 06:00 AMC 6