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Archive for January, 2010

to-save-a-life-stills-0326 Jan 2010 19:56 Africa/Lagos

Teen Indie Film, TO SAVE A LIFE, Debuts With Impressive Numbers on Opening Weekend

Teens embrace Samuel Goldwyn Films’ release that encourages and inspires, but now has literally saved lives Social media has kicked off a movement of 90,000 Facebook fans actively building a community of support

OCEANSIDE, Calif., Jan. 26 /PRNewswire/ — How can a little indie film with no major actors, no real TV advertising, and little attention from the mainstream press catch the attention of 215,000 teenagers who came out opening weekend?

How can it also have the #1 fan rating today on Fandango.com and Flixter.com?

IndieWire.com says “‘Life’ Debuts Strong” and “debuted on an aggressive 441 screens and managed to break the overall top 15. The film – about ‘an all-star athlete must change his life – and sacrifice his dreams to save the lives of others’ – grossed an impressive $1,499,400.” (Final numbers in today give the weekend gross for To Save A Life at $1,513,955)

In comparison, To Save A Life was neck and neck with teen horror flick Daybreakers, however To Save A Life was on less than a third of the number of screens. A similar story occurred with Youth In Revolt, which was on 300 more screens, yet To Save A Life grossed nearly $700,000 more.

The LA Times calls the film an “absorbing redemption story” that “is a deftly acted, generally absorbing cautionary tale with wider allure than its faith-based label may imply.”

The Miami Herald reports, “It features good acting, excellent production values and even a solidly eclectic musical score that ranges from rap to alternative.”

Big Hollywood.com, on the making of the film, states, “To Save a Life is perhaps even more a miracle than the average feature film. Not only did it beat the odds, it did so with its soul still firmly attached.” In contrast to more typical teen fair, such as Youth In Revolt and Daybreakers, it begs to ask the question – are teens looking for more?

“I was thinking as I was approached about this film, why aren’t we creating films that can actually make a positive change in the life of teens, movies that don’t just entertain, but also make an impact in the lives of the viewers?” said Brian Baugh, director of To Save A Life. Exit polls from teens after having seen the film show they want be challenged. And, they feel typical Hollywood films aren’t inspiring them to make their schools a better place.

Not only do box office numbers speak loudly, but the social media sites prove this point. The movie’s official Facebook page jumped over 30,000 users in the last five days – with over 90,000 active users. This number, compared to Youth In Revolt’s 42,000 fans, and the Book of Eli’s 44,000 fans, is compelling. Now, local splinter groups are breaking off, creating To Save A Life groups for their own communities.

Teens are coming together on the Facebook site, talking about their lives, their struggles, and inspiring each other to reach out to the hurting and lonely in their communities.

The proof comes from what teens are saying about the movie themselves:

Nicole- This movie saved my life, last night i attempted suicide but didnt succeed and my confirmation sponsor asked if i wanted to go see it today and as much as i didnt want to i did, and it made me think so much. I have been where jake was on top of everything and no matter what was happening in your life i always had a smile on my face but i have also been in jonny’s position too, i used to cut, people just dont no peoples breaking points and i wish people could just be who they want to be without being judged or doubted on your abilities. i was, and now i realize if you trust in the lord and just do the right thing, you will be just fine.

Mark – IN 6th grade i felt alone. i didnt feel like anyone liked me. today, i still feel like some people are just acting nice to me. i dont know what to do. i feel alone a lot, and i dont know what to do. Please help me. The movie was great and got me thinking that other people are just like me. I still feel alone, please help me.

Missy – I cried when I saw the movie, because I want real life to be like that. I never had anyone to turn to when I was depressed, and I still don’t. I don’t cut myself and I don’t try to hurt anymore, I’ve made a few friends but none of them have seen me hurt. I hide it all in a mask of shame, but I’m going to take off the mask, finally I’m gonna start and I’m gonna help other people, I’m gonna help myself too. No longer will I just be [Missy], I’m going to be known to save a life. Because of this movie. You inspired me.

Travis – I saw the movie yesterday and all i can say is wow it has really touched my life and im not gona sit back and watch anymore im goin out and try to make a difference

Dale – When I was in junior high, I was bullied to the point of suicidal thoughts. God is who stopped me from following through. I had previously just pushed the memories behind me and acted like nothing ever happened, but now I want to do something. I want to make sure no one else feels the way I once did. This movie changed the way I look at life. Save a Life!

Mel – I just got home from watching “To Save A Life” and immediately I came on the computer to Google information. I haven’t even taken my jacket off yet. I was so touched by this movie its indescribable; I cried all the way home. I want to make a difference in someone’s life. I notice things from the movie that happen around me in school, but it never hit me till now. This movie made me sad, emotional, but most importantly it made me realize that I have the opportunity to help someone. I’m a college student and I cant wait for classes to start Monday cause I already know what I’m going to do. Save a Life

Sara – The To Save A Life Story means a lot to me, because I was the one that needed saving last year. If people could only understand how far one small act of kindness could go, the world would be a better place. I love that this movie is bringing real-life issues that people rarely talk about to light and showing teens how to deal with them. You never know who around you feels he is the outcast – treat others as you would want to be treated. Save a life. This movie is going to change our teenage population for the better.

To Save A Life was created by New Song Pictures and Outreach Films, and is distributed through Samuel Goldwyn Films. After opening on 441 screens this weekend, the film will continue to open in new markets in the coming weeks.

www.ToSaveALifeMovie.com

ABOUT TO SAVE A LIFE

An all-star athlete and his girlfriend find their lives spinning out of control when Jake loses a childhood friend. Help comes when he reaches out to others who are hurting, and he realizes some people are just dying to be heard.

The movie asks…
How far would you go?
How much would you risk?
How hard would you fight…TO SAVE A LIFE

ABOUT SAMUEL GOLDWYN FILMS

Samuel Goldwyn Films is a major, independently owned and operated motion-picture company that develops, produces and distributes innovative feature films and documentaries. The company is dedicated to working with world renowned and emerging writers/filmmakers and committed to filmed entertainment that offers original voices in uniquely told stories. This steadfastness is best exemplified by the Academy Award® nominated SUPER SIZE ME, AMAZING GRACE and Julie Delpy’s hit comedy 2 DAYS IN PARIS. Goldwyn’s past slate included PRICELESS, a romantic comedy starring Audrey Tautou, Academy Award® winner Claude Lelouch’s ROMAN DE GARE, the critically hailed ELEGY starring Academy Award® nominee Penelope Cruz and Academy Award® winner Ben Kingsley and the box office smash FIREPROOF.

ABOUT NEW SONG PICTURES

New Song Pictures is proud to release TO SAVE A LIFE, their debut production. New Song Pictures is based in Oceanside, CA, and seeks to make films that tell relevant stories while being encouraging and uplifting.

www.tosavealifemovie.com

www.facebook.com/tosavealife

Source: New Song Pictures

CONTACT: Lori Lenz of Biscuit Media Group, +1-714-553-5181,
lori@biscuitmediagroup.com

Web Site: http://www.tosavealifemovie.com/
http://www.outreachfilms.com/
http://www.facebook.com/tosavealife

26 Jan 2010 20:36 Africa/Lagos

Statement From the Producers of the Film ‘Midgets vs Mascots’

LOS ANGELES, Jan. 26 /PRNewswire/ — Earlier this month, Gary Coleman made a claim that the producers of the new film “Midgets vs Mascots” used an unauthorized (albeit brief) shot of his penis in the movie.

Today, the producers reached a settlement with Mr. Coleman. In return for the producers making Mr. Coleman’s bail in Utah County, Utah, Mr. Coleman has agreed to allow the footage to be kept in the movie.

The footage in question occurred during an improvised moment in a shower scene when Mr. Coleman attempted to break up a fight between two Little People. During the scuffle, Mr. Coleman’s robe split open to reveal more than he had planned.

The producers stand behind their position that Mr. Coleman signed multiple documents allowing any and all footage, including both scripted and unscripted moments, to appear in the film. The producers simply agreed to bail out Mr. Coleman as an “olive branch” and to avoid any potential litigation.

Mr. Coleman asked the producers to make it clear to the public that while he’s not pleased with the film’s footage, he needed to get out of jail. According to Mr. Coleman: “I guess I have to recognize that the footage is actually me, as I don’t know of any such thing as a body double for Gary Coleman.”

Mr. Coleman was arrested on Sunday on a warrant for failing to appear in court.

About “Midgets vs Mascots”

“Midgets vs Mascots” won third place at the 2009 Tribeca Film Festival (Heineken Audience Award). The film’s trailer and associated clips — including the shower scene featuring Mr. Coleman — currently have more than a million online views. A limited promotional offer for the DVD and “midget condoms” is available at www.midgetsvsmascots.com. The DVD will be released on February 9 at retailers and online.

CONTACT: Kevin Sullivan, 214-259-3011, kevinsullivan18@gmail.com

Source: Midgets vs Mascots

CONTACT: Kevin Sullivan, +1-214-259-3011, kevinsullivan18@gmail.com, for
Midgets vs Mascots

Web Site: http://www.midgetsvsmascots.com/

STARZ-ENTERTAINMENTStarz Record: 3.3 Million* Total Viewers “Cheer for Blood” as “Spartacus: Blood and Sand” Debut Weekend Delivered a Strong Performance. 1.2 Million Watched the 1/22 10PM Premiere Starring Andy Whitfield as “Spartacus” (above). (PRNewsFoto/Starz Entertainment) ENGLEWOOD, CO UNITED STATES

26 Jan 2010 22:47 Africa/Lagos

Record Audience of 3.3 Million Powers Weekend Debut of New Starz Original Series, ‘Spartacus: Blood and Sand’

ENGLEWOOD, Colo., Jan. 26 /PRNewswire/ — Updated figures for the series premiere of “Spartacus: Blood and Sand” indicate that more than 3.3 million total viewers* tuned in for episode one of the new Starz Original, a record performance for a series debut on the premium pay TV network.

(Photo: http://www.newscom.com/cgi-bin/prnh/20100126/LA44222)

Based on live plus same-day DVR viewing, the Friday night 10PM ET/PT airing on Starz drew a 2.1 HH rating (661,000 viewers) and Encore a 1.2 rating (580,000 viewers), or more than 1.2 million viewers combined. An additional 430,000 viewers (1.6 HH rating) watched at 11PM ET/PT on Starz.

The 3.3 million viewership figure includes three additional weekend airings on Starz and Encore with same-day DVR usage. Figures from other Starz channels, additional DVR usage, starz.com viewership and on-demand/online previews with affiliates are expected to grow that figure well past 4 million total viewers.

With a gross average viewing audience of more than 2.5 million for the six Starz/Encore airings, Stephan Shelanski, executive vice president, programming for Starz Entertainment commented, “This is the most successful premiere in the company’s history. We are very gratified to see that our excitement and faith in the series – already renewed for a second season – has been matched by initial demand. This show is unlike anything ever seen on television, and we are confident that passion for the series will grow as the character development and incredible story arcs unfold.”

Post-premiere episodes of “Spartacus: Blood and Sand” debut on Starz on Fridays at 10PM ET/PT with an additional airing on Sunday nights at 10PM ET/PT.

About “Spartacus: Blood and Sand”

Produced by Rob Tapert, Sam Raimi, Joshua Donen and Steven S. DeKnight, “Spartacus: Blood and Sand” is the most highly anticipated original series in the history of Starz. The 13-episode hour-long drama was renewed for an epic second season prior to the series premiere on January 22, 2010.

The UK-born and Australia-based Andy Whitfield portrays Spartacus, a soldier in the Roman Auxiliary who is taken prisoner. Lucy Lawless is cast as Lucretia, who along with her husband Batiatus (John Hannah), own the slave Spartacus and the gladiator camp where the former soldier learns the ways of the arena fighter. Additional cast members include: Erin Cummings as Spartacus’ Thracian wife, Sura; Peter Mensah as Doctore, Batiatus’ most loyal and trusted slave; Manu Bennett as Crixus, the top gladiator at Batiatus’ gladiator school; Antonio Te Maioha as Barca, who is Batiatus’ bodyguard and hit man; Craig Parker as Glaber, who blames Spartacus for his failed military campaign; and Nick E. Tarabay as Ashur, a former gladiator who is now the school’s resident bookie. Starz’ new “Spartacus” series was inspired by the actual slave of the Roman Republic who in 73 BC led a slave revolt that grew to more than 120,000 fighters. Defying the Roman Republic’s legions of soldiers, they campaigned for two years through much of what is now Italy before succumbing to a much larger army. The new series will tell a new set of stories rich in character, action, sex and combat.

Starz Entertainment is the exclusive subscription television and broadband provider of Starz Originals (including “Party Down,” “Crash,” “Spartacus: Blood and Sand,” and “Gravity”) and feature films. First-run movies are from leading Hollywood studios including Walt Disney Pictures, Sony Pictures Entertainment, Overture Films, Touchstone Pictures, Hollywood Pictures, Pixar, TriStar, Screen Gems, Sony Classics and Warren Miller Films. Starz licenses hundreds of feature films from a wide array of independent distributors including IFC, Yari Film Group, and Summit Entertainment and a vast collection of classic and favorite titles from most Hollywood studios, including Warner Bros., Universal and MGM.

Starz Entertainment, LLC, is a premium movie service provider operating in the United States. It offers 16 movie channels including the flagship Starz® and Encore® brands with approximately 17.3 million and 30.7 million subscribers respectively. Starz Entertainment airs more than 1,000 movies and new original series every month across its pay TV channels and offers advanced services including Starz HD, Encore HD, Starz On Demand, Encore On Demand, MoviePlex On Demand, Starz HD On Demand, Encore HD On Demand, MoviePlex HD On Demand, and Starz Play. Starz Entertainment (www.starz.com) is an operating unit of Starz, LLC, which is a controlled subsidiary of Liberty Media Corporation, and is attributed to Liberty Starz (NASDAQ:LSTZA) , a tracking stock group of Liberty Media Corporation.

*3.3 million viewers based on Live + Same Day P2+ Cume estimates across Starz and Encore channels, Nielsen NPOWER 1/22/10 – 1/24/10. All Ratings references based on Live + SD HH Coverage Area estimates for respective program telecasts. All other viewer references based on Live + Same Day P2+ Average Audience and Gross Average Audience estimates for Starz and Encore, Nielsen NPOWER 1/22/10 – 1/24/10. Subject to qualifications available upon request.

Contacts:
Eric Becker Paul Campbell
Starz Entertainment Starz Entertainment
(720) 852-4065 (212) 905-4230
eric.becker@starz.com paul.campbell@starz.com

Sheila Feren
FerenComm for Starz
(212) 983-9898
sheilaf@ferencomm.com

Photo: http://www.newscom.com/cgi-bin/prnh/20100126/LA44222
AP Archive: http://photoarchive.ap.org/
AP PhotoExpress Network: PRN14
PRN Photo Desk, photodesk@prnewswire.com
Source: Starz Entertainment, LLC

CONTACT: Eric Becker, +1-720-852-4065, eric.becker@starz.com, or Paul
Campbell, +1-212-905-4230, paul.campbell@starz.com, both of Starz
Entertainment; or Sheila Feren of FerenComm, +1-212-983-9898,
sheilaf@ferencomm.com, for Starz Entertainment

Web Site: http://www.starz.com/

15 Films Compete for VPRO Tiger Awards at 2010 IFFR

Posted by admin On January - 26 - 2010

The Publisher of Supple magazine will be at the International Film Festival Rotterdam (IFFR).

15 films have been selected for IFFR’s VPRO Tiger Awards Competition 2010.

The nominees are:

Autumn Adagio by Inoue Tsuki (Japan, 2009)
Inoue Tsuki’s début feature film, after her prize winning short fiction The Woman Who Is Beating The Earth, is called Autumn Adagio. Japanese musician and actress Rei Shibakusa plays a middle-aged nun in a drama that deals with salvation, sexuality and identity in the different stages of a woman’s life.

C’est déja l’été by Martijn Maria Smits (The Netherlands/Belgium, 2010)
Talentend young filmmaker Martijn Smits literally makes his way into Dardenne Brothers territory with his début feature C’est déja l’été, a realistic and engaging portrayal of a dysfunctional, lower class family living in Seraing, Belgium.

Agua fría de mar (Cold water of the Sea) by Paz Fábrega (Costa Rica/France/Spain/Netherlands/Mexico, 2010)
Paz Fábrega’s first feature film Agua fría de mar (Cold Water of the Sea) is set on the Pacific coast of Costa Rica during the Christmas holiday season. It is the sensitive and atmospheric story of a young couple and a seven-year old girl with very different social backgrounds.

Let Each One Go Where He May by Ben Russell (USA/Suriname, 2009)
Let Each One Go Where He May is the feature début of Chicago-based filmmaker Ben Russell. The film, portraying contemporary Saramaccan life, traces the journey of two brothers who venture from the outskirts of Paramaribo, Suriname, on land and through rapids, past a Maroon village on the Upper Suriname River. Their journey reflects the voyage undertaken by their ancestors, who escaped from slavery at the hands of the Dutch 300 years earlier.

Mama by Yelena Renard & Nikolay Renard (Russia, 2010)
Yelena and Nikolay Renard, new and promising voices in Russian cinema, made fiction out of the real life story of a complex relationship between an overbearing mother and her obese, forty-year-old son who still lives at home. The filmmakers use a very realistic style in which shots are sometimes turned into tableaux vivants.

Miyoko by Tsubota Yoshifumi (Japan, 2009)
Tsubota Yoshifumi’s Miyoko is a lavishly styled biopic about a Japanese manga-artist, his regularly nude posing muse Miyoko and the bohemian Tokyo neighborhood where they live in the seventies. The young artist obsessively sticks to his girlfriend and the bottle.

Mundane History by Anocha Suwichakornpong (Thailand, 2009)
Scriptwriter and director Anocha Suwichakornpong’s short film Graceland (2006) became the first Thai short film to be included in the Official Selection at Cannes Film Festival. Her feature film début Mundane History is a family drama about a paralyzed son, an elusive father and the male nurse hired to take care of the wheelchair-bound patient. Suwichakornpong’s second feature project By the Time It Gets Dark is selected for CineMart 2010.

My Daughter by Charlotte Lay Kuen Lim (Malaysia, 2009)
Charlotte Lay Kuen Lim worked for numerous TV commercials after completing her studies in broadcasting and was an assistant director for various films. She directed several short films, such as Escape (2008), screened at IFFR 2009. Her feature film début My Daughter is an intimate study of the mutual dependence between a slovenly hairdresser and her insecure teenage daughter.

R by Michael Noer & Tobias Lindholm (Denmark, 2010)
R is Lindholm & Noer’s first feature film about young Rune who tries to survive in a Danish prison. A gripping, hard hitting film that portrays the prison world with its strict hierarchy, codes of honor and mysterious contracts.

Les signes vitaux (Vital Signs) by Sophie Deraspe (Canada, 2009)
A young Canadian woman wants to know what people really need in the last moments of their lives. In a restrained way, without any false sentimentality, Sophie Deraspe’s film evokes grand questions about the things that are important in life and the strange intimacy between caregivers and the dying.

Street Days by Levan Koguashvili (Georgia, 2010)
Sober Georgian drama about Checkie, a jobless and penniless junkie, is a reflection of a generation who were around the age of twenty when the Soviet Union fell, brought up in the soviet style, and incapable of adapting to all the socio-political and economical changes. They are now in their late thirties and early forties and referred to as the lost generation.

Sun Spots by Yang Heng (Hong Kong/China, 2009)
Three years after his award winning début feature Betelnut, Yang Heng presents Sun Spots, minimalistic Chinese cinema that combines beautiful HD imagery with the story of a tragic relationship between a young gangster and a girl disappointed in love.

The Temptation of St. Tony by Veiko Õunpuu (Estonia/Sweden/Finland, 2009)
After winning the Horizon Award 2007 at the Venice Film Festival for his début feature Autumn Ball, Estonian filmmaker Veiko Õunpuu now returns with his second feature The Temptation of St. Tony, a parable on the new, wolf like capitalism in Eastern Europe with its compassionless capitalist rules and rulers. Shot in beautiful black and white, Õunpuu’s vision is provocative and dark, but also very diverting with his use of black comedy.

Alamar (To the Sea) by Pedro Gonzalez-Rubio (Mexico, 2009), European premiere
Alamar delicately portrays the relationship between a father and son spending a summer on Chinchorro reef on the Mexican-Caribbean coast, where the father is a fisherman. The second feature film by Pedro Gonzalez-Rubio was produced by Jaime Romandia for Mantarraya Producciones that previously produced films by Carlos Reygadas and Amat Escalante.

La vie au Ranch by Sophie Letourneur (France, 2009)
In her début feature La vie au ranch, Sophie Letourneur portrays with great insight the seemingly quite happy daily life of a small group of twenty-year-old female students living together in what they call their ‘Ranch’. Their lives are about to be confronted with the sharper edges of reality and relationships.

© 2010 International Film Festival Rotterdam

 

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