
THE 78TH FESTIVAL DE CANNES WINNERS’ LIST

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There are people whose presence quietly but powerfully shapes an industry. Efere was one of them. For him , Law wasn’t just a profession. It was his calling, his essence. With entertainment law and Nollywood, Efere wasn’t a practitioner. He was the heartbeat of it. A visionary who saw not just contracts and clauses but culture, creativity, and the need for structure in Nollywood’s chaotic brilliance.
I remember those nights at Transcorp Hilton. He had just opened his Abuja office. He would head to my room at night, sometimes with his cousin, Kaine. “Ziiik, order food and let’s talk business,” he would scream from the door with that familiar glint in his eyes. And business for Efere wasn’t just deals. It was dreams. It was about how Nollywood could grow, how artists could be protected, and how our stories could find legal strength.From dissecting the loopholes in contracts to IP protection, his passion was relentless.
Zik Zulu Okafor: We would laugh when he’d throw his hands up and say, “Wetin Lawyers dey do sef ?”. That was his pet project that started with publications and then visits to primary and secondary schools to give the pupils some basic ideas about law and to simplify the profession.
In Nollywood, Efere carried the burden of a legal system that hadn’t yet caught up with the creative explosion around it, and still, he pushed forward.
He gave his time, his thoughts, his energy, everything to the pursuit of justice for creatives. But in the end, Nollywood, for all its sparkle, did not repay his sacrifices. The industry he gave so much to never truly gave back, and that is a hard truth to swallow. Nollywood was still grappling with understanding itself, preferring ” sharp, sharp money ” to a convoluted legal process. So, Efere preached the legal homily well, gave lectures, and held workshops. Nollywood understood Efere’s value . They appreciated both his creative and legal destinations. But an industry economically ruled by whim wasn’t quite ready to pay seriously for legal services.
Hmmmmm. Then, the news snuck in. Like a breeze of silent mystery. Efere was gone. Dead. His passing was sudden, shocking, confounding, a tragic drama with no warning, no final act. Yet, his life was a masterpiece of purpose. He showed us what it means to be devoted. He taught us that change begins with conviction, even if the world doesn’t yet see the value of what you’re fighting for. He was a profile in courage.
May the memory of his life be a blessing.
May the seeds he planted in law and in love for the creative industry grow beyond his years.
May his soul find the peace this world didn’t always afford him.
Rest well, Efere, my guy. You remain unforgettable, yes, yes.
Peace
by Zik ZuLu Okafor : (Writer, Actor, Director, Producer & Former President of Association of Movie Producers of Nigeria)
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Synopsis
In 2045 convicted criminals are given the opportunity to compete on the world’s #1 televised sporting event, Arena Wars. They must survive 7 rooms and 7 of the most vicious killers in the country. If they win, they regain their freedom
Tracy Obonna is an award-winning actress, producer, entrepreneur, former professional volleyball player, and UN Peace Ambassador. She has starred in acclaimed films such as Double Dekoi, which premiered at the Toronto International Film Festival (TIFF), and Arena Wars, acquired by Paramount Studios Plus. Recognized for her talent and contributions to the industry, she was honored with the Best Acting Achievement Award 2024 by Mayor Patrick Brown.
Beyond the entertainment world, Tracy is a respected businesswoman and branding expert, securing high-profile collaborations and sponsorships. With a background in professional volleyball, she embodies resilience and dedication in every endeavor. Holding a doctorate, she is committed to education, global advocacy, and using her platform to inspire change. As a UN Peace Ambassador, she champions initiatives that promote peace and empowerment worldwide.
BEST FEATURE FILM
THE LEGEND OF THE VAGABOND QUEEN OF LAGOS by AS AS Elijah, Akinmuyiwa Bisola, Edukpo Tina, James Taylor, Matthew Cerf, Okechukwu Samuel, Ogungbamila Temitope (Nigeria)
BEST NIGERIAN FEATURE
THE LEGEND OF THE VAGABOND QUEEN OF LAGOS by AS AS Elijah, Akinmuyiwa Bisola, Edukpo Tina, James Taylor, Matthew Cerf, Okechukwu Samuel, Ogungbamila Temitope (Nigeria)
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BEST SHORT DOCUMENTARY FILM
THE POWER OF INTENTION by Karolis Špinkis (Germany)
BEST SHORT FILM
ÉTOILES BRISÉES (SHATTERED STARS) by Lingouala Malcome (France)
BEST NIGERIA SHORT FILM
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BEST ACTOR
FEMI JACOBS – ANJOLA Feature Film directed by Great Valentine Edochie (Nigeria)
BEST ACTRESS
TEMILOLUWA AMI-WILLIAMS – THE LEGEND OF THE VAGABOND QUEEN OF LAGOS by AS AS Elijah, Akinmuyiwa Bisola, Edukpo Tina, James Taylor, Matthew Cerf, Okechukwu Samuel, Ogungbamila Temitope (Nigeria)
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BRIAN JERVAY – SOME KIND OF JUSTICE by Brian Jervay (USA)
BEST SUPPORTING ACTOR FEMALE
HAYLEY SQUIRES – NO WAY HOME Feature by Yousaf Ali Khan (USA)
BEST INDIGENOUS FILM
ADUNNI OGIDAN’BIRIN (THE DEFIANT CRUSADER) Indigenous by Yemi Amodu (Nigeria)
BEST ANIMATION FILM
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Hope Obioma Opara President / Founder Eko International Film Festival
SYNOPSIS “The Bitter Feminist,” a compelling narrative documentary exploring the challenges, stereotypes, and systemic oppression women face in Nigeria and sub-Saharan Africa. The series examines the intersectionality of feminism through the powerful narrative of Ringret, a young woman from Northern Nigeria who survived rape and forced marriage. “The Bitter Feminist” amplifies women’s voices, demanding a radical re-evaluation of societal structures and gender inequities.
Created by Daniel Chukwuemeka and Ijeoma Chinonyerem,
The docuseries will premiere at the iRep festival in Lagos in March 2025 “This project is significant to us,” says Ijeoma Chinonyerem, co-creator of the series. “It’s about giving voice to the women whose stories often go unheard and challenging the narratives perpetuating inequality. We hope ‘The Bitter Feminist’ sparks conversations and inspires real change.”
The five-episode series delves into the lives of women who identify as feminists, showcasing their defiance of traditional gender roles and societal expectations. Ringret’s story powerfully demonstrates female resilience and resistance.
Through candid interviews and impactful storytelling, “The Bitter Feminist” illuminates the cultural, religious, and socio-economic factors influencing the struggle for gender equality. Each episode addresses a critical issue: pervasive misogyny, the devastating consequences of child marriage, restrictive gender roles, the complexities of consent, and the realities of transactional sex. The narrative docuseries critically examines the cultural and institutional barriers perpetuating gender oppression while celebrating women’s unwavering determination to challenge these norms.
“The Bitter Feminist” was produced by Isaac Newton Akah and directed by the talented director Priye Diri. The film showcases the voices and ideas of accomplished women and will leave viewers feeling empowered and motivated. Presented by HardFacts Studios
“Anyone who hates Davido is just bitter. That man is the hardest-working artist in Africa.” – Tiwa Savage
“Davido is incredibly hardworking. He understands that even if you come from a wealthy background, it doesn’t mean you’re exempt from working hard. Just because your parents are rich doesn’t mean you have automatic access to their wealth, because that’s what they worked for. And even if they’ve given you a head start, you still have to make a name for yourself. Davido understands this. He works every day like someone who has nothing. Sometimes, when I see how hard Davido works, I wonder if he even remembers he comes from a wealthy family. He inspires and motivates me to work harder. I should be as hardworking as him.” – Tiwa Savage